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| 2011/12/22 03:30:12瀏覽723｜回應0｜推薦0 | |
解析收藏文物收藏界現象 + (底槽青出何處圖數禎1 2 3)
常常思考著這樣一個問題，收藏的最高境界是什麼？
是獲得與日俱增的各式古物藏品，在齋室燈光下獨自把玩，從中領略鑒賞的愉悅？
是坐擁奇珍，秘不示人，享受獨有的自我陶醉？
亦或是期待成為聲名遠播的大鑒賞家，獲取藏家眾星拱月般尊敬的榮耀？
也許是，也許都不是。
但有一點可以肯定，收藏之路其實是充滿苦澀的，只要你一不留神踏上了收藏這條不歸之路，你便註定從此心靈備受歡樂與痛苦，興奮與焦慮，得意與懊惱的無盡煎熬。
收藏具有極大的魅力，這是不言而喻的。
收藏是一座永不枯竭而又充滿誘惑的寶藏，又是一道佈滿棘刺和陷阱的深淵。
身入其中，無論你如何才高八斗、學富五車，也會感受知識的貧乏和淺薄；無論你自信眼力如何過人，在浩如煙海、五花八門的歷史遺存面前，也會感到力不從心的無助；即便你富甲天下，身擁千萬，當你投入收藏時，也常常會感到囊中羞澀，捉襟見肘。
在收藏圈中，你會發現一個非常有趣的現象，在這裡，只有「眼力」是最受尊重的，沒有身份、地位高低貴賤之分。
那些平日傲慢的達官顯貴、腰纏萬貫的大亨、經論滿腹的文人墨客，只要一腳邁進這嘈雜紛亂的鬼市地攤、古玩店舖。
昔日的孤傲、清高、自矜、權勢、驕橫，都被這滿世界的古董舊貨新品贗物所洗滌、融合，變成了地道的淘寶者、普通人。
像常人一樣亢奮、激動、懊惱、悔恨不已，亦為幾個銅板斤斤計較，爭得面紅耳赤。
有位記者這樣描述在北京潘家園淘寶的眾生之相：「一網撒下去，一定能夠網住一二個部省級官員，三四個教授，七八個大款，還有一個小偷或盜墓者。」
在古玩早市地攤，曾目睹一位省級要員，非常虔誠的請一位藏友為他剛淘得的一件古瓷掌眼。
此人在地攤上被行內人稱為古瓷「一眼準」，而他的職業，只是某小巷口的一名補鞋匠。
還見過一位著作等身、聲名顯赭的某名牌大學教授，為一尊北魏小銅佛像的真贗與一位工人打扮的年輕人爭辯得面紅耳赤，最後不得不俯首稱臣，接受那位只有初中文化的銅佛收藏家的觀點。
亦曾應邀去過一位居室不過40平方米的藏友家，他家牆壁用舊報紙糊著，一張破舊的寫字檯上放著全家惟的一件奢侈品，16寸的舊彩電，可當他拉開一排簡陋的木櫃廚門，看到櫃中整齊地擺放著他以20多年省吃儉用之心血收藏的近千面從戰國至清代紋飾精美的銅鏡時，我不由得肅然起敬。
和無數初入藏界的朋友一樣，我開始只是帶著一種對古物朦朧的企盼以及骨子裡對傳統古代文化的追崇開始了收藏之路。
每每在博物館的玻璃櫃前，欣賞商周古銅器的凝重雄渾、漢唐古玉的鬼斧神工、宋明古瓷的拙樸典雅，心中便會由傾情艷羨進而產生一種不安分的躁動；我也要收藏和擁有古物。
最初進入收藏時，總是陷入一種莫名的焦慮、浮躁、「撿漏」「淘寶」的慾望之中。
因一件心儀的古物而牽掛不已，為失去一件寶物的機會懊悔萬分。
我至今仍然記得，一幅黃秋圓的四尺山水圖700元嫌貴放手；一品有一流釉色、器形規整的南宋粉青龍泉爐，要價3000元，卻只留下張照片就放棄；一件28厘米的刻劃「樞府」款的大碗，內有雙鶴纏枝紋飾，釉是一流的鴨蛋青色，只為8000元價偏高，眼睜睜讓別人奪得；一面銘有「東王公」的東漢神人車馬鏡，逕20厘米，紋飾精美，鈕大緣厚，黑漆古包漿，已經拿下卻因賣主要搭賣一個影青碗賭氣放棄，這類當斷不斷而失去機會的例子，在我十幾年的收藏生涯中不勝枚舉。
至於因固執已見而誤入「套局」，「撿漏」心切而購得贗品，就更是家常便飯了。
當然，也有過恃眼力撿漏的愉悅、憑機緣得「寶」之驚喜。
正是在這種跌跌撞撞、坎坎坷坷的收藏過程中，感受著收藏者的真正樂趣，從而不斷領悟收藏的本質和內在之美。
一位我所敬重的從事文博工作的資深專家，曾多次向我談及對民間收藏的不屑，他直言不諱地表示對民間收藏的蔑視，認為收藏是走私、盜墓、苟利的源頭，收藏圈大都是一些「沽名釣譽、見利忘義」之徒，建議政府取締民間收藏，直到新《文物法》頒布，此君仍然認為「承認民間收藏是一個歷史性的失誤」。
對於這位專家的偏執，我只能感到一種深深的悲哀。
且不說收藏本身就是一種中華民族傳統歷史文化的延續，且不說收藏對於傳播大眾文博知識、藏寶於民的積極因素，就以全國幾千萬收藏隊伍對於社會就業、社會穩定乃至經濟、文化、社會效益的積極貢獻和不可替代的作用，也可以說是功不可沒。
況且，就是在故宮、上博等一些國家級大博物館的許多重量級藏品中，不也有相當部分來自歷代民間藏家的無私捐獻？
我想，當我們這位文博專家，在以張伯駒、徐世璋、孫瀛洲等名垂千古的大藏家所捐獻的國寶古物進行鑒賞研究做學問時，不知內心會作何感想？
的確，民間收藏如同任何社會活動一樣，收藏家並非人人皆是謙謙君子，收藏圈並非至純的淨土，也會泥沙俱下、魚龍混雜，有勢利、詐騙、淺薄、浮躁和貪婪、有以牟利為終極目的的商人。
我曾親眼目睹一位事業有成的朋友，過度地偏執和貪婪，終因愚昧無知，將百萬傢俬打了水漂；我也看過一位古玩鋪店主，以百餘元撿得一件石濤的尺幅，以8000元倒手給了廣東商人，當知道此幅石濤之真跡被轉手賣了30萬時，頓時捶胸頓足嚎啕大哭；我亦見過一位退休老幹部以平生積蓄購得一塊漢玉贗品，從此一病不起；一位老撿漏淘得一部元代版古籍善本顛狂失態乃至當場中風倒地。
我以為，這都是偏離了收藏的本義，而陷入了「物役」「物累」的怪圈。
收藏是一種心靈感受並融入歷史文化和自然的尋根過程。
一件古物，無論其保存完整亦或殘缺破碎，它那深厚的歷史文化積澱、沉穆樸拙的藝術風貌，都會給我們傳遞遠古先人的非凡的創造力和活動軌跡，因而令人心靈怦動。
而古物表現美的特徵，最吸引著我們的往往是那種恬澹、自然、古樸。
一切古物都可以從中泛射出樸拙自然之美，人們在把玩、欣賞和摩挲之中，與遠古先人進行著跨越時光的交流、對話，從而領略一種無盡的遐思和陶醉。
我的案几上擺放著幾片漢代瓦當，普通、灰色、胎質粗松、略有殘缺，但瓦當上的圖案——青龍、白虎、朱雀、玄武，總令我感到驚訝不已。
《三輔黃圖》曰：「青龍、白虎、朱雀、玄武，天之四靈，以正四方」，遠古匠人正是帶著一種宗教般的篤信虔誠，一種與天地神靈所交流而發生的靈性與激情，一種似與神性附體才具有的想像智慧，將深厚廣大的精神力量注入這小小的瓦當圖，留給我們的卻是遠古先人的自然力量體現的直觀。
我始終認為，浮躁是收藏之大忌。
一個真正的收藏鑒賞家，審視古物的眼神是清澈的，心態是極為平和的。
有人曾作過一個統計，大收藏家、文博專家平均壽命要比常人高出10至20歲。
這恐怕是得益於他們與世無爭的超脫心態、甘心恬淡、棲志浮雲的境界，以及接受古物鑒賞中那種常人很難領略的審美情趣，心靈愉悅的原因吧。
收藏，應該是擁有，而不是簡單的佔有；收藏是對美的發掘，而不是對物的擄掠；能夠感受和體味古物深厚歷史文化內在美的本質，才是真正意義上的收藏。
一位腰纏萬貫的大款，他可能憑借財力短時間獲得別人要許多年才得到的一大堆藏品，也可能借行家之眼一夜之間拍得幾件罕世珍寶。
這當然是日益現代化的中國必然出現也無可厚非的一種收藏形式，收藏者也能從中獲得某種樂趣。
但這種收藏，卻難以獲得真正意義上的收藏之愉悅和美感。只有結果，沒有過程的收藏，與既有過程又有結果的收藏，其對收藏的感受是有程度差別的。
任何一件古物，都是具有靈性的。
鑒賞古物的最高境界，是人與之進行超越時間的情感交流和對話。
我常常在夜深人靜之時，以極其虔誠的心態，觀賞一尊我非常喜愛的北魏佛像。
佛像很小，半殘，灰石質，高18厘米，但被塑造得寬額長耳，面容安詳，氣質脫凡，尤其是那雙充滿智慧、堅定而又安然從容、超脫、深靜入定的眼神，會令你感受到一種心靈的震撼。
作為一名無神論者，我在這尊神像面前，也能體會到為何人類對佛的敬畏之情。
我想，佛教從西域傳入中土，之所以有如此巨大的感召力，是天地互融、神人合一的期盼和象徵。
在佛的金剛之軀，更多地融入了人類成熟的智慧，使之以空為旨，包容萬物。
蘊涵大千。
在這尊佛像面前，我開始對收藏、對物慾乃至人生開始全新的思考，漸悟出佛心自明永恆、向善向美的超脫與釋然。
我終於發現，在古物面前，我們每個人只不過是歷史的匆匆過客。
我凝視著這尊半殘的佛，面對這沉穆無言的古物，我突然生出一種奇怪的想法：究竟是我在審視石佛呢？還是石佛在審視我？
我確切地相信，其實這尊無言的古佛，在我之前，已經默默地審視了無數我等芸芸眾生！這種想法，令我大徹大悟，感到了一種擁有和被擁有的錯位，感受到一種出自內心的虔誠的羞愧。
在歷經千百年滄桑的古物面前，人是多麼地渺小，脆弱和無奈的短暫生靈！
於是，我開始尋求一種收藏的新的境界。
我終於感悟到了莊子倡導對「物役」「物累」的超越，老子「清淨、無為、柔弱、不爭」以及「抱一、寡慾、自然、玄妙」之要旨。
我將以平淡、自然、本真的心態重新思考收藏、洗滌「物慾」對心靈的污垢，拋棄功名的重枷，走入收藏的化境。
摘錄自雅昌藝術論壇
     Analytical collection of cultural relics collectors phenomenon + (the end of the slot Green where the diagram number Zhen 123)
Analytical collection of cultural relics collectors phenomenon + (the end of the slot Green where the diagram number Zhen 123)
Often think such a question, What is the highest level of collection? Access to the growing collection of all kinds of Antiquities, in Lent room light alone play, from which to enjoy the appreciation of pleasure? Is sitting on the rare, secret show, enjoy the unique self-satisfaction? Or expect to become famous connoisseur, to obtain possession of home Zhongxinggongyue respected glory? Maybe yes, maybe not. But one thing is certain, the road of the collection is full of bitterness, as long as you Accidentally embarked on a collection of articles of no return, you will be doomed from this soul much joy and pain, excitement and anxiety, elation and chagrin endless torment. The collection has great charm, which is self-evident. The collection is an inexhaustible treasure and temptation, is an abyss covered with thorns and pitfalls. Body into which, no matter how you Caigaobadou five cars, educated, will feel the lack of knowledge and shallow; Whether you're confident eye, extraordinary, in the vast variety of historical relics in front, also feel powerless to helpless; even if youbody owned by 10 million, its collection, but also often feel empty pockets, stretched wealthy. In the collection of the circle, you will find a very interesting phenomenon here, only the "eye" is the most respected, there is no identity, status distinction or distinction. Weekdays arrogant dignitaries, wealthy tycoon, on the full of men of letters, as long as the foot into this noisy, chaotic ghost market stall, curio shops. Former aloof, aloof, Zijin, power, arrogance, have been all over the world antique flea new pseudo material washing, blending, to become authentic, Taobao, the average person. Same as the ordinary excitement, excited, upset, remorse, also a few coins mean and fierce arguments. One reporter described the Beijing Panjiayuan Taobao all living: "network down Caesar lived twelve provincial officials will be able to network, three or four professors, 78 a rich man, a thief or Tomb. " Morning market stall in the antiques, have witnessed a provincial-level officials, and very devout to please a Friends of Tibet, he was just to scrape together a porcelain palm eye. This person in the stall in the trade is known as porcelain, "a quasi-", and his career, just a small corner of a cobbler. Seen a prolific reputation of a well-known professor at the University of significantly ocher, a Northern Wei Dynasty small bronze Buddha really pseudopotential with a workers dressed young man had heated arguments, and finally had to vanquish, and to accept who only junior middle school education The bronze collector's point of view. Invited to have also been to a room 40 square meters of the Friends of Tibet House, his walls in an old newspaper papered with family but a luxury, lying on an old desk, old 16-inch color TV, When he opened a row of shabby wooden cabinet kitchen door, see the collection of his efforts to live frugally than 20 years, nearly face fine bronze mirrors from the Warring States Period to the Qing dynasty decorations are neatly placed in the cabinet, I could not help awe. And countless friends entering the Tibetan community, I started with only a the Antiquities hazy hoping and bones for traditional ancient culture geared to start the road of the collection. Shang and Zhou ancient bronzes often in front of the museum's glass case, enjoy the solemn strains of the Seven Wonders of the Han and Tang Dynasties Jade, the Song and Ming porcelain Zhuopu elegant, hearts will be the portrait of envy and then produce a restless agitation; I have to Favorites and possession of antiquities. The first to enter the collection, always into a sense of anxiety, impulsive, "Taobao" desires "Jianlou. Due to a favorite Antiquities about the endless, extremely remorseful for the chance of losing a treasure. I still remember a yellow autumn round of four-foot Landscape 700 yuan Xiangui let go; a product class glaze, Southern Song Dynasty, powder blue, Longquan furnace, the shape of regular asking price of 3000 yuan, but only leave the photos to give up; a 28 cm depicts Shu Fu "section of the bowl, Double Crane Interlocking decoration, glaze is a first-class duck egg blue, only 8000 yuan price high, sit and let others win; side of Ming East Duke Eastern Han man of God, traveling mirror, 20 cm in diameter, decorated beautifully, button edge of the thick, black ancient pack slurry, has been won because of sell mainly a shadow green bowl tie-in a fit of anger to give up, such when broken, lost opportunity example, in my ten years of collection career, the list goes on. The intransigent see strayed into sets Bureau, "Jianlou" eager and bought a fake, it is even more commonplace. Of course, relies on eyesight Jianlou pleasure by chance have the "treasure" surprise. It is in this stumbling, rough Ke Hum collection process, feel the real pleasure of the collectors, to continue to realize a collection of nature and inner beauty. Fair work of senior experts and one that I respected on several occasions to me on the private collections of disdain, he bluntly expressed contempt for private collections, the collection is the source of smuggling, grave robbers, Gou, the collection circle are believers, "fame, forgetting" recommends that the Government's ban on private collections, until the promulgation of the new Heritage Act, a person must continue to believe that the recognition of private collectors is a historic mistake. " The paranoia of the expert, I can only feel a deep sorrow. Not to mention the collection itself is a continuation of traditional Chinese history and culture, not to mention the collection for the Fair knowledge of the spread of the mass, the positive factors of the treasure in China, tens of millions of collection team for the social, employment, social stability and even the economic, cultural The positive contribution of the social and irreplaceable role, can also be withheld. Moreover, many of the heavyweight collection of the Palace Museum, the large national museums, is not there a considerable part of the selfless donations from the history of private collectors? I think our cultural experts, national treasure Zhangbo Ju, Xu Shizhang Sun Yingzhou immortalizing collectors donated Antiquities and appreciation of research scholarship, I do not know the heart will feel? Indeed, private collections, like any social activities, collectors not everybody is modest collection ring is not pure Pure Land, also pays top academics, cohabitation, snobbish, fraud, shallow, impetuous and greedy, profit for the ultimate purpose businessman. I have witnessed a successful career of a friend, excessive paranoia and greed, the end result of ignorance, one million of furniture boondoggle; I have seen an antique shop shopkeeper was a stone, picking up hundreds of dollars Tao Kampf, to hand down to 8,000 yuan a Guangdong businessman, and when to know this piece of Shi Tao of authentic resell 300,000, suddenly crying in the corner crying; I also met a retired veteran cadres to his life savings and bought a Han jade fakes from this terminal; an old Jianlou to scrape together a Yuan Dynasty Edition Rare Books willow gaffe even fell to the ground on the spot stroke. I thought, this is a deviation from a collection of original meaning to be trapped in a cycle of "objects existing" material tired. The collection is a kind of spiritual feelings and into the history, culture and natural roots process. An Antiquities preserved intact or will incomplete broken, it is that profound historical and cultural heritage, Shen Mu simple, innocent and artistic style, will be passed to us the extraordinary creativity and activities of the trajectory of the ancient ancestors, and thus makes the soul thumping activities. Antiquities and performance characteristics of the United States, the most attractive we tend to be kind of Tiantan natural, simple. All Antiquities from the Pan-injection simple, innocent and natural beauty in the play, enjoy and caress into ancient ancestors across the time of exchange, dialogue, and thus enjoy the endless reveries and intoxicated. My case placed a few slices of the Han Dynasty Vatan, ordinary, gray, aggravation thick pine, slightly incomplete, but the pattern on the Vatan - Green Dragon, White Tiger, Red Phoenix, basalt, and it always made me feel surprised. "Sansuke yellow Figure", saying: "Dragon, White Tiger, Red Phoenix, basaltic, spirits of the four days, in order Quartet ancient artisan It is with a religious devout piety, a heaven and earth gods exchanges occur spirituality and passion, and a like divinity possessed the imagination of wisdom, the majority of deep spiritual power into this little Vatan Figure leave our ancient ancestors of the forces of nature embodied in intuitive. I have always believed that the impetuous collection taboo. A real connoisseur's collection, look in the eyes of the Antiquities is the clear state of mind is extremely peaceful. Someone had done a statistical large collectors, cultural experts, the average life expectancy than the common 10-20 years higher. This is probably due to their aloof from the detached state of mind, willing tranquil realm of habitat Chi clouds, and accept the Antiquities appreciation of the kind of ordinary people is difficult to appreciate the aesthetic taste, the pleasure of the soul reason. The collection, possession, rather than simple possession; collection is the excavation of the United States, instead of looting on the matter; can feel and appreciate the nature of the Antiquities and profound history and culture of inner beauty, the collection is the real meaning. A wealthy and the wealthy, he may by virtue of financial short period of time to get other people to take many years before they get a lot of collections, but also may seek the expert eye of night went for a few pieces of Hanshi treasures. This, of course, is an increasingly modern China will inevitably be understandable in the form of a collection, collectors can get a certain pleasure. But this collection, it is hard to get the true sense of joy and beauty of the collection. Only the result, the process of collection, collection, and both process and results of their feelings about the collection is the degree of difference. Any one antiquities, and spiritual. The highest level of appreciation of Antiquities, people with emotional communication and dialogue beyond the time. I have often in the dead of night, an extremely devout attitude, watch one of my very favorite Northern Wei Buddha. Buddha is small, semi-disabled, gray stone, 18 cm high, but create a wide amount of long-eared, face serene temperament off where, in particular, is a pair of wisdom, the firm and Enron calm, detached, static deep meditation eyes, will make you feel a spiritual shock. As an atheist, I am in this deity like the front, but also can understand why humans awe of the Buddha. I think the Buddhist China and Turkey from the Western Regions, the reason for such a huge appeal, is the world based insights, the man of God, one's expectations and symbolic. In the footer of the Buddha's King Kong, more integrated into the mature wisdom of mankind, so empty for the purpose, inclusive of all things. Implication Daqian. In front of the statue of Buddha, I began the collection, the start of a new perspective on material things and even life, gradually realize the Buddha's heart is self-evident eternal goodness detached to the United States and relieved. I finally found, in the Antiquities front of each of us only the history of the passer-by. I gazed at this half residues of the Buddha statue, the face of Shen Mu silent Antiquities, I suddenly give birth to a strange idea: What I look at Stone Buddha?Or stone Buddhas look at me? I believe exactly that, in fact, silent statue of the Buddha, before me, has been quietly examining numerous and other living things! Taichetaiwu, this idea, I feel a have and have misplaced feel a from the heart devout shame. In the face of Antiquities After centuries of vicissitudes, is how small, fragile and helpless short lives! So, I began to seek a collection of the new realm. I finally came to realize that Zhuangzi advocated "objects existing" tired thing "beyond, I clean, inaction, weak, indisputable" and "hold, desires, nature, mysticism" of the essence. I will be plain, nature, the true state of mind to rethink the collection, washing, "materialism" of the dirt of the mind, to abandon the fame of the heavy flail, into the collection of sublimation. Excerpt from the Artron Art Forum
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