流浪之歌音樂節 免費聽德國民謠 【台北訊】 秋高氣爽，適合走出家門湊熱鬧。台北市文化局及大大樹音樂圖像，將於10月1日至10月7日在大安森林林公園音樂台，及公園內的新古典小徑區舉行「流浪之歌音樂節」，活動期間將在台北國際藝術村及政治大學進行策展分享的專題演講，免費入場。 文化局指出，「2007流浪之歌音樂節」對話系列，德國規模最大的世界民謠音樂節「TFF.Ruldostadt」的藝術總監班哈‧漢尼肯（Bernhard Hanneken）將於10月3日在台北國際藝術村分享策展概念，並與主辦單位以城市行銷與傳統再生為題，暢談城市音樂節的定位。 主辦單位將於10月5日在政大進行專題演講，談論兩德民謠復興。兩場講座免費入場，即日起可上台北國際藝術村網站http://www.artistvillage.org，或大大樹音樂圖像網站：www.treesmusic.com報名。 流浪之歌音樂節的音樂影像館，詳請參看大大樹網站^^ http://www.treesmusic.com/festival/2007mmf/index.htm 今年的音樂影像館與挪威 Riddu Riddu Festivalli海岸風暴音樂節、大肚根文化工作室(台灣)共同策展。挪威海岸風暴音樂節與阿美影展策展人、台灣重要原住民影像工作者馬躍‧比吼，將各自提出與世界原住民權利議題相關的影片，以影像對話，共同揭露世界各地原住民文化面臨的危機與轉機。 This year's MMF film program is co-curated by the Riddu Riddu Festival of Norway and the DaDuGen Culture Workshop of Taiwan, and features films on the indigenous peoples of Norway and Taiwan. This presentation of films aims to start a dialog on issues faced by indigenous peoples all over the world, and to bring attention to the crisis and changes faced by indigenous communities worldwide.

9.29 [六 Sat]

13:00	【來跳舞吧！? Let's Dance!】 導演 Director：Paul-Anders Simma│薩米Sami 長度 Duration：17 min│芬蘭 Finland 情竇初開的薩米少年Lassi第ㄧ次參加舞會，邀請心儀已久的Saara跳舞。從此，暗無天日的極地之冬，開出春的花朵，ㄧ如薩米少年的初戀。【極地之愛】與【來跳舞吧！】是薩米族導演Paul-Anders Simma不同時期的劇情短片。雖都以愛情為題，卻同時反映了現代薩米族人的生活、儀式、價值與生存之道。以薩米族人的生存空間為拍攝背景，並以薩米語為對話語言，對於芬蘭境內極少數的薩米族人來說，有重要的象徵意義。 Lassi is living in a small village in the wilderness. It's the middle of the winter, with darkness and snow everywhere. Yet one day flowers bloom in the snowdrift, and the icy wind turns warm. How full of wonder and magic is this first love to a twelve year-old! 導演│ Paul-Anders Simma就讀於瑞典電影學院，拍攝作品多與薩米文化有關，如長片作品有【The Minister of State】、【The Legacy of the Tundra】，探討麋鹿馴養人的心理層面，紀錄片作品【Give Us Our Skeletons!】，跟隨薩米運動者Nils Somby腳步，追索祖先被驅趕回祖居地的一段歷史。 Director│ Paul-Anders Simma (Sami) studied at the Swedish Film Institute. His breakthrough short film, Let’s Dance! (1991), is a humorous story about a Sami boy going to his first dance. Simma's feature films include The Minister of State (1997) and The Legacy of the Tundra (1995), which explores the psychological dimensions of reindeer-herding Sami. His documentary work includes the celebrated Give Us Our Skeletons! (1999), on Sami activist Nils Somby and his quest for the repatriation of the human remains of Sami ancestors.
	導演介紹見【來跳舞吧！? 】 Director's info please see 【Let's Dance!】 【極地之愛 The Story of Arctic Love】 導演 Director：Paul-Anders Simma│薩米Sami 長度 Duration：20 min│芬蘭 Finland 北地的薩米族人在冰天雪地中，如何移動？形似重型機車的「雪上摩托車」是重要的交通工具。Lisko-Matti是雪上摩托車技工，人長得英俊，卻是個窮小子。沒有半隻麋鹿的他，卻愛上富有的麋鹿蓄主的女兒Aletta，愛情故事在一望無際的雪地展開…….。影片呈現了難得見到的薩米族傳統葬禮與習俗。 Iisko-Matti is a young snowmobile mechanic who has fallen hopelessly in love with Aletta, the daughter of a wealthy reindeer breeder. Under any normal circumstances, Iisko-Matti wouldn’t have the faintest chance...but luck is on his side.
	【山上 Hla Huy】 導演 Director：連智凱、黃郁芳 Lien Chih-kai and Huang Yu-fang 長度 Duration：27 min│台灣 Taiwan Hla Huy是泰雅語山上的意思。小龍有三種在主流社會中不利的身份：原住民、孤兒、有前科。父母過世後，小龍在福山上的童年生活並不愉快，下山之後有一段時間以幫派和監獄為家。當他決定學好回到山上，卻發現原本住的家沒了，而身上的刺青，也讓他在找工作時充滿阻礙。小龍有一個平地女友小雨，兩人會因為不穩定的工作爭執。他喜歡到山上打獵抓魚，那是原住民的傳統，但他卻沒有辦法一直留在山上... Hla Huy means "on the mountain" in the Atayanl language. This film is a glimpse of the turbulent life of Xiaolong, who has three strikes against him in mainstream society: he is aboriginal, he is an orphan, and he has a criminal record. After a series of stints with gangs and prison, Xiaolong decides to finish school and return to the mountains, only to find his original home gone. He wishes most of all to be able to hunt, as is tradition for his people, but "reality" doesn't allow him to stay in the mountains. 導演│ 黃郁芳剛從廣電系畢業，準備考人類所。連智凱剛從廣電系畢業，準備去當兵。 Director│ Huang Yu-fang graduated with a degree in Radio and Television broadcasting, and intends to pursue further studies in anthropology. Lien Chih-kai also graduated from Radio and television department and is preparing to enter the ROC army.
	映後討論 Discussion：連智凱、黃郁芳 Lien Chih-kai and Huang Yu-fang
15:30	【風在呢喃 The Wind Whisper】 導演 Direcotr：Elle Sofe Henriksen│挪威 Norway 長度 Duration：10 min│挪威 Norway 一部沒有對白的舞蹈電影，舞動薩米歷史。 An exciting dance movie, moving you through the development of the Sami pepole.
	【彩虹的故事 The Stories of Rainbow】 導演 Director：比令亞布 Pilin Yapu│泰雅 Atayanl 長度 Duration：39 min  泰雅族的傳說中，人死後會經由彩虹到達泰雅的天堂，而紋面是通往彩虹的唯一憑藉，此紀錄片是紀錄百歲紋面老人自己對紋面的看法，及呈現紋面老人山中平時的實際生活，再者年老的她們對己故的親人、對原鄉的思念及對即將回到彩虹的心情故事。 The Atayanl say that after a person dies, they ascend to heaven through a rainbow. The facial tattoos worn by the Atayanl are intended to be marks by which they are recognized after death, to ensure they reach the rainbow. This film looks at daily lives of the elderly Atayanl who bear these facial tattoos. They tell of their stories of deceased relatives, their thoughts of home, and feelings about returning to the rainbow. 導演│ 自1996年起，比令亞布拍攝第一部短片【土地到哪裡去了？】，持續用影像紀錄泰雅族及原住民部落現況和文化，並於台灣多個影像競賽及影展獲獎，曾受文建會委託拍攝921台中縣和平鄉重建紀錄片。其於1993年成立的泰雅文化工作室（北勢群文化協會創始會員）致力推動原住民相關事務，曾獲原住民委員會推薦為特優團體。現任台中縣和平鄉自由國小教導主任。 Director│ Pilin Yapu made his film debut in 1996, focusing on his fellow Atayanl in "Where Have All of Our Lands Gone?" A recipient of numerous awards in Taiwan for film, Pilin has maintained a steady presence on the documentary film circuit and was commissioned by the Council of Cultural Affairs to direct a documentary on the reconstruction efforts after the devasting Chi Chi earthquake of 1999. Pilin, an educator by trade, currently serves the dean of students at an elementary school in Taichung County, and is a founding member of the Atayanl Culture Workshop (now the Northern Tribe Culture Association), for which he received special recognition by the Council for Indigenous Peoples.
	映後討論 Discussion：比令亞布 Pilin Yapu
17:30	【最後的薩米吟唱 Last Yoik in Saami Forest】 導演 Director: Hannu Hyvonen│芬蘭Finland 長度 Duration：54 min 芬蘭國營公司Metsahallitus未擁有有合法的森林使用權，即在芬蘭北方薩米族人居住的原始林區伐木。此舉破壞了冬季林地的生態，同時對薩米族賴以維生的麋鹿畜養傳統造成極大傷害。伐木造成生態的不平衡，進而使得麋鹿失去食物。然而芬蘭政府卻放任伐木工程的繼續，激起薩米族人的抗爭與綠色和平組織的進駐。此片記錄了伐木工人與為土地抗爭的薩米族人的衝突。在薩米族人的土地上，土地使用權的爭議仍在繼續中…… This film highlights a conflict between a Finnish state-owned logging company and activists over the preservation of a forest area, which is the site of reindeer herding for the Sami people living in the area. The starting point of the film is a Greenpeace "forest rescue station", where conflict arises between loggers and Greenpeace activists. Out of the ensuing events, the director constructs a dialog, which never took place in reality.
	導演介紹見【彩虹的故事】 Director's info please see【The Stories of Rainbow】 【土地到哪裡去了？ Where Have All Our Lands Gone?】 導演Director：比令亞布 Pilin Yapu│泰雅 Atayanl 長度 Duration：30 min 小時作者和族老常游走在部落的土地上，族老說：「這些土地是屬於部落的。」但當作者再度回到這片土地時，發現地上插有一面告示牌，上面寫著：「私有土地，不准進入」 讓人為之一震，屬於全部落的土地，何時有了變化？本片紀錄族人對祖靈的祟敬及對土地的尊重，如第一次到祖耕地，族老如此要求和祖靈對話： 祖先們，我把這祭品獻給你們。 今天突然來到這邊整理你們的園子， 希望沒有打擾你們。 因為我們的孩子，想要了解， 我們的祖居地到底在哪裡？ 土地是族人的生命，族人的母親，是何種原因使這片土地權消失了呢？ In this short piece, the filmmaker recalls his surprise and shock at finding that village land claimed by his tribe had a sign reading, "Private Property, Do No Enter". The film presents his tribe's veneration for ancestral spirits and respect for land, and asks, "how could have our land rights disappeared?" 映後討論 Discussion：比令亞布 Pilin Yapu、馬躍比吼 Mayaw Biho
19:30	【馬拉卡照酒 Malakacaway】 導演 Director：馬躍比吼 Mayaw Biho│邦乍 Pangcah 長度 Duration：80 min ※本場為世界首映，邦乍代表拉黑子、 宋少卿將出席放映 花蓮的Makutaay部落傳承了Pangcah的傳統文化和生活方式：老人家記得許多古老傳說和歌謠，年輕人的年齡組織仍堅固不衰，每年的Illisin和海祭都依古禮進行，還有其他部落不容易看見的一種族人對Pangcah文化的堅持和自信。 年齡組織是Pangcah珍貴的集體合作的文化。Makutaay部落的青年有八個年齡組織，年輕人從15歲開始加入第一年級，之後每四年升一級，「馬拉卡照」就是第六級，他們負責各項祭典的經費收集和採買，也負責倒酒。 本片紀錄了從1997年到2006年Makutaay部落三屆的「馬拉卡照」青年在祭典中的工作，從升級前的聚會和準備，第一年倒酒的生疏窘迫，第二年的漸入佳境，畢業時的了悟和不捨。從Pangcah觀點呈現敬酒的文化與深層意義。 This film traces the lives of two Pangcah men, IIlisin and Haiji, from Makutaay Village in Hualien. The two young men embark on a path where they participate in the "Malakacaway", a wine ceremony that involves passing down stories and songs of the tribe. Traditionally, a member of the Makutaay tribe starts to participate in the ceremony at the age of 15, and must reach eight different levels, ascending one level every four years. Director Mayaw Biho follows the journey of these two young men from 1997 to 2006. 導演│ Mayaw Biho，Pangcah人，從小在花蓮織羅部落成長，直到高中後才離開，畢業於世新大學電影系，1999年獲亞洲文化基金會贊助前往美國紐約短期進修。大學時期即開始拍攝《我們的名字叫春日》、《如是生活，如是Pangcah》等作品。畢業後，曾拍攝公共電視《原住民新聞雜誌》、《我們的島》、超視《生命告白》等電視紀錄影片，現為獨立製片工作者。 較廣為人知的影片有《親愛的米酒，妳被我打敗了》、《國家共匪─美麗的錯誤》、《揹起玉山最高峰》等，除長期大量紀錄原住民影像外，亦投入民族人名和地名復名運動，並拍攝《請問貴姓》系列四集、《請問蕃名》、部落地圖系列《光復．噶馹佤》、《復興．比亞外》和《阿里山．鄒》等相關影片。多部作品曾獲得台灣地方志音像紀錄影展、新聞局金穗獎、台灣國際紀錄片雙年展入圍等。 Director│ Mayaw Biho studied film production at Shih Hsin University in Taiwan, and also studied documentary filmmaking at NYU on an Asian Cultural Council scholarship. As a Pangcah aboriginal, Mayaw seeks to challenge the way the Taiwanese aboriginal community is portrayed by the mainstream media and so-called "experts on aboriginal issues." While many of his documentary films feature his fellow Pangcah, Mayaw has made films about other Taiwanese indigenous tribes, including the Bunun, Tao, the Saisiat, the Atayanl, and the Tsou. His representative works, such as "As Life, As Pangcah", "Dear Rice Wine, You are Defeated" and "Carry the Paramount of Jade Mountain on My Back", have earned prizes from the Council of Cultural Affairs and Taiwan's Government Information Office. 映後討論 Discussion：馬躍比吼 Mayaw Biho

9.30 [日 Sun]

13:00	【薩米之路 Sami Nieida Joik/Sami Daughter Yoik】 導演 Director: Liselotte Wajstedt│瑞典 Sweden 長度 Duration：58 min 瑞典 Sweden 「Nieida，女兒」，導演隨著薩米語教學帶重複著。【薩米之路】，片名原意「薩米女兒的吟唱」，是導演Liselotte Wajstedt自傳性的公路電影。故事始於Liselotte血液中的薩米認同不斷鼓動，於是她離開所居大城斯德哥爾摩，開始孤獨的尋根之旅。不同於傳統紀錄片，【薩米之路】影像活潑，並輔以大量動畫與特效，音樂/音效與影像生動搭配。影片也以極自然地方式穿插處理薩米族的權利議題。 Director Liselotte Wajstedt’s documentary is a roadmovie into Sapmi. Armed in a gakti – a traditional Sami costume, and with a summer’s course in the lingo she is determined to take her place among the people she belongs to. 導演│ 1973年生於瑞典。Liselotte Wajstedt曾於多所學校學習繪畫、動畫和實驗影片製作，並鑽研紀錄片敘事與劇本寫作，現為專職影像工作者。 Director│ Born 1973 in Kiruna, Sweden. Liselotte Wajstedt now works fulltime as a filmmaker in cooperation with LittleBig Productions. Behind her she has an education in painting and arts from different schools in Sweden, as well as animation and experimental filmmaking with special emphasis on documentary storytelling and scriptwriting. 映後討論 Discussion：簡義明
15:00	導演介紹見【馬拉卡照酒】 Director's info please see【Malakacaway】 【部落地圖：阿里山‧鄒 Tsou】 導演Director：馬躍比吼 Mayaw Biho│邦乍 Pangcah 長度 Duration：50 min   台灣原住民各族傳統領域究竟何在？其意涵為何？只有生活在該片土地的族人才有能力述說。部落地圖是原住民族以現代資訊設備，將部落周邊的土地、河流、森林、獵場、人文史蹟、自然生態等資料記錄下來，其中蘊藏的豐富知識是原住民族珍貴的文化寶藏。 阿里山的鄒人認為從Patukuonu玉山到台南海邊的札哈姆公園都是鄒族的領域，並計畫以部落地圖來宣示主權，中華民國和台灣國，你們準備好了嗎？ Based on tribal maps, the Tsou of A-li Mountain (Alishan) make plans to assert their claim over land stretching from Patukuonu (Jade Mountain/Yushan) to the coastal areas of Tainan. Republic of China, Taiwan, whichever you call yourselves -- are you ready? 映後討論 Discussion：馬躍比吼 Mayaw Biho
17:30	【希·雅布書卡嫩─沒有飯吃的人 Siyabosokanen】 導演 Director：張淑蘭 Siyabosokanen│達悟 Tao 長度 Duration：50 min 本片講述蘭嶼人如何面對人的老去、生病和死亡。張淑蘭：「我是蘭嶼衛生所的護士淑蘭。這幾年，我試著去感受，族人如何去面對人的老去、生病和死亡。我忽然發現，這些和我熟悉的西方醫療概念之間，存在著很大的差異。我開始靜靜的去體會，那些我全然不熟悉的母體文化。」 The films looks at how Orchid Islanders face old age, sickness, and death. Of this piece, filmmaker Siyabosokanen said, "I am a nurse on Orchid Island. In recent years I have tried to get a feel for how people here face aging, sickness and death. I came to discovered that their beliefs were quite different than the concepts I learned from western medical care. I slowly began to experience for myself a completely different, complex culture I was unfamiliar with." 導演│ 生於蘭嶼，現職蘭嶼鄉衛生所公共衛生護士，也是蘭嶼第一位居家護理師，經常獨自環島探訪貧病的老者。影像作品有【希‧音拉珊】﹝七歲在蘭嶼﹞、【希‧亞布卡嫩─沒有飯吃的人】、【面對惡靈】等。
	映後討論 Discussion：張淑蘭 Siyabosokanen
19:00	【比自己重要 Greater than Ourselves】 導演 Director：Anita Lervoll│挪威 Norway 長度 Duration：35min 2003年的挪威【海岸風暴音樂節】招集了近三百名義工投入支援。這些累積多年經驗的音樂節義工，有的捨下工作或學業，有的將小孩託給臨時成立的「Riddu Riddu托兒所」，專心在各自的崗位上忙碌。為何這些義工願意付出這麼多時間來支援這個活動？他們在組織這個活動的過程中，又遭遇到什麼樣的矛盾與問題？這部影片紀錄了這個發生於北挪威海岸，海岸薩米人的認同運動。本片曾於2004年流浪之歌音樂節放映，反應熱烈，今年搭配薩米議題重映。 Riddu Riddu is an indigenous people's music festival that takes place in Gaivuotna, Northern Norway. Filmed in the summer of 2003, "Greater than Ourselves" focuses on the people behind the festival, exploring their reasons for spending such a great amount of time and energy on their work as volunteers for this festival. Viewers will come away with a glimpse of Riddu Riddu's history, as well the history of the Coastal Sami people of Norway.
	【夏日音樂風暴 Riddu Riddu, Festival Summer】 導演 Director：Kare Johannes Inderberg and Ida Bettvik│挪威 Norway 長度 Duration：28 min Riddu Riddu是挪威北方海岸的地形氣候：海岸風暴。這個以「海岸風暴」為名的音樂節慶，已經在挪威北方海岸的曼德藍村（Mandelan）延續了十六年。自1991年始，由三位19歲的年輕人大膽展開一場以文化、音樂、手工藝、母語為基礎的民族運動。每到夏天，曼德藍小村聚集了來自世界各地的原住民與少數民族樂人，透過音樂、影像、演講、服飾等確認自己的身分與認同。此片是挪威廣播電視公司作的記錄，訪問了曾參與2004年流浪之歌音樂節的回聲（Vajas）、與參與今年音樂節的水之聲（WAI），以及音樂節主席Camilla Bratland。 A profile of the Riddu Riddu Festival, a music and arts festival in Norway that celebrates indigenous cultures. Originally started by the Sami people on the northern coast of Norway, the festival has grown to become an international event, with indigenous groups from all over the world gathering to perform and engage in exchanges, all under the permanent summer daylight of the Norway's Arctic Tundra. 映後討論 Discussion：鍾適芳 Chung Shefong
21:00	【回歸故土之夢 The Dream of Returning Ancestral Land 】 導演 Director：簡史朗 TIAN(邵族名), Jean Shih-Lang│邵 Thao 長度 Duration：47 min 邵族，世居日月潭邊，目前人數約500人，擁有獨特的文化、語言、保存完好的祖靈信仰和豐富的歲時祭儀。由於錯誤的政策，使得邵族土地被巨量剝奪，不僅生存困難，文化與母語傳承也受到嚴重干擾。1999年921大地震讓邵族瀕臨滅絕，為了讓族群與文化得以傳承，族人決心建立一個完整屬於自己的部落。本片記錄邵族人如何自力打造安置社區、重建過程的坎坷、土地被剝奪的經過以及土地被剝奪後的困境。而邵族人最終的期盼，是重回祖先的懷抱。 The Thao are from the Sun Moon Lake area in Central Taiwan. This film documents the efforts of the Thao to rebuild their community in the aftermath of the devastating Chi Chi Earthquake of 1999. The effects of the earthquake are felt still felt sharply, as the Thao population has dwindled in number to approximately 500. The film highlights issues faced by the Thao today, particularly the disproportionate loss of land and property, and their struggle to maintain their language and customs. 導演│ 1952年生，畢業於政治大學民族學研究所，研究領域為原住民，尤其通曉邵族居地水沙連﹝日月潭﹞區域文化，著作多本原住民文化讀本及教材，並攝製紀錄片【考古遺址何去何從】、【邵族生活記事─播種祭與盪鞦韆】等紀錄片，曾二度獲得獲文建會地方紀錄獎。2005年自國中任教退休後，現專職研究及寫作。 映後討論 Discussion：鄭空空