字體：小 中 大 |
|
|
|
| 2011/10/15 22:33:09瀏覽477｜回應0｜推薦0 | |
| http://nso.ntch.edu.tw/program/detail/id/225
李子聲：《色XI》管弦樂曲 (世界首演) 蕭斯塔科維奇：第一號大提琴協奏曲 史特勞斯：《英雄生涯》 簡文彬2001～2007年間接掌NSO音樂總監，6年任期內開創出樂團的新氣象，提升專業水準、樹立品牌並擴展曲目。他將與英國知名大提琴家伊瑟利斯演出蕭斯塔科維奇的第一號大提琴協奏曲，此曲為蕭斯塔科維奇獻給他的好友、已故大提琴家羅斯托波維奇的作品，是現代大提琴曲目的代表作之一。中生代作曲家李子聲的新作《色XI》管絃樂曲，以營造細緻的聲響氛圍，追求內省式回歸聽覺的本位。壓軸的理查．史特勞斯《英雄生涯》則是集其交響詩大成，被推崇為傳記音樂的典範，恢弘大氣、戲劇性十足，被視為作曲家本身的生命寫照。 ★2011/10/22 SAT 19:30 NSYSU Sun Yat-sen Hall, Kaohsiung 2011/10/23 Sun. 14:30 National Concert Hall, Taipei &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& http://en.wikipedia.org/wiki/A_Hero's_Life A Hero's Life (Ein Heldenleben) Ein Heldenleben, Op. 40, (German for A Hero's Life) is a tone poem by Richard Strauss. The work was completed in 1898, and heralds the composer's more mature period in this genre. The piece is said to depict a hero fighting his enemies. Ein Heldenleben is a through-composed, circa fifty-minute work, performed without pauses, except for a dramatic grand pause at the end of the first movement. The movements are titled as follows (later editions of the score may not show these titles, owing to the composer's request that they be removed): "Der Held" (The Hero) "Des Helden Widersacher" (The Hero's Adversaries) "Des Helden Gefahrtin" (The Hero's Companion) "Des Helden Walstatt" (The Hero at Battle) "Des Helden Friedenswerke" (The Hero's Works of Peace) "Des Helden Weltflucht und Vollendung" (The Hero's Retirement from this World and Consummation) Ein Heldenleben employs the technique of leitmotifs that Richard Wagner used, but almost always as elements of its enlarged sonata-rondo symphonic structure. 1. "The Hero": The first theme has been said to represent the hero.[1] In unison, horns and celli play E-flat major triads ascending through an almost four-octave span. A contrasting lyrical theme first appears in high strings and winds in B major. A second motive appears, outlining a stepwise descending fourth. Trumpets sound a dominant seventh chord followed by a grand pause, the only prolonged silence throughout the entire piece. 2. "The Hero's Adversaries": The movement opens with chromatic woodwinds and low brass: multiple motives in contrasting registers are heard. It is said that the adversaries represented by the woodwinds are Strauss's critics, such as 19th-century Viennese music critic Eduard Hanslick, who is memorably written into the score with an ominous four note leitmotif played by Wagner and bass tubas in parallel fifths.[citation needed] 
Eduard Hanslick (11 September 1825 – 6 August 1904) was a Bohemian-Austrian music critic. 當時有名的刁鑽樂評家......除此影射, 名歌手也把他放入嘻弄一番 It is sometimes claimed that Wagner caricatured Hanslick in his opera Die Meistersinger von Nurnberg as the carping critic Beckmesser. 3. "The Hero's Companion": The movement features a tender melody played by a solo violin. In an extended accompanied cadenza filled with extremely detailed performance instructions by Strauss, after the fashion of an operatic recitative, the violin presents new motivic material, alternating with brief interjections in low strings, winds, and brass. During this section, the violin briefly foreshadows a theme which will appear fully later. The cadenza concludes and the new thematic material is combined in a cantabile episode commencing in G flat. Fragments of the motives from the previous movement briefly appear. A fanfare motive in offstage trumpets, repeated onstage, is then heard. These three initial sections comprise an elaborate exposition, with elements of a multiple-movement symphony evident in their contrasting character and tempo. The remainder of the work will comprise development, recapitulation, and coda, with occasional new thematic material. 4. "The Hero's Battlefield": In this first extended development section of the work, percussion and a solo trumpet are heard in the first appearance of 3/4 time: a variation of a previous motive. A sequence of clamorous trumpet fanfares occurs as the music approaches a harmonic climax in G flat, and the related E flat minor. Percussion is pervasive throughout the movement. 4/4 time returns in a modified recapitulation of the first theme as it appeared at the beginning of the piece, this time with a repeated quaver accompaniment. A new cantabile theme makes its appearance in the trumpet, and an extended elaboration of this serves to preface the next section. 5. "The Hero's Works of Peace": Themes of previous works, including such works as Till Eulenspiegel's Merry Pranks, Macbeth, Also sprach Zarathustra and Don Quixote, are heard in this movement. The melodies lead into the final section. 6. "The Hero's Retirement from this World and Consummation": Yet another new motive appears, commencing in a rapid descending E-flat triad, which introduces a new development of the original theme: an elegy featuring harp, bassoon, English horn, and strings. The reappearance of the previous "Hanslick" motive brings in an agitato episode. This is followed by a distinctly pastoral interlude featuring English horn, reminiscent of Rossini's William Tell Overture. The descending triad now appears slowly, cantabile, as the head of a new, peaceful theme in E flat: this is the theme foreshadowed during the violin cadenza. In a final variation of the initial motive, the brass intones the last fanfare, suggesting the beginnings of another tone poem (Also Sprach Zarathustra, a work often coupled with Ein Heldenleben). Ein Heldenleben (A heros life) op 40 Richard Strauss 'D' equals Denmark and conductor Thomas Dausgaard (the former leader of Denmarks Radio Symphony Orchestra is also Danish). The recording took place in the brand new Danish Radio concert hall from 2009. It has a -to all members of the orchestra- very satisfactory acoustic. 主題1-3 : 主題3-4 主題5-6 |
|
| ( 不分類｜不分類 ) |
