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2009/04/07 12:16:46瀏覽921|回應0|推薦25 | ||||||||||||||||||||||||||||||||
VERDI: Vittorio Emmanuale Rei de Italia "Victor Emmanual, King of Italy"
威爾第逝世於1901年1月27日,為義大利歌劇時代劃上句點。生前的作品隨著他喪禮的進行而水漲船高,生前所譜寫的音樂在他的喪禮上播放,成千上萬的群眾齊聲合唱威爾第歌劇那布果(Nabucco)中的希伯來奴隸合唱(Chorus of the Hebrew Slaves),在義大利人心目中,朱瑟貝威爾第不單是豐富他們心靈的歌劇大師和作曲家,同時也是為人權奮鬥的愛國英雄。
Nabucco Verdi Live in Duomo di S.Maria Nascente, Milano, Italy
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(選自威爾第作品《茶花女》飲酒歌)<
作曲家威爾第簡介:
Liberal Nationalism Liberal nationalism, as for instance associated with the Italian leader Giuseppe Mazzini, sought to establish liberal states based on the a "nation". Nationalists always assumed that their "nation" existed in some "natural" way. In practice the leaders had to work hard to create a national sense, usually by emphazing common culture, and by focusing on some oppressive external force. Italy: Guiseppe Verdi (1813-1901): "Va, pensiero" (Chorus of the Hebrew Slaves) from Nabucco 1842 The "Chorus of the Hebrew Slaves", (Va Pensiero), from Verdi's opera Nabucco (1842) attained great political significance. Va Pensiero became the Italians' song of liberation, for, in the oppressed Hebrews, they found a symbol of their own longing for reunification with Lombardy, which was occupied by Austria. The unison chorus (one of the few da capo choruses in all opera) became the underground "national hymn". And the composer's name became V.E.R.D.I, a slogan meaning Vittorio Emmanuale Rei de Italia ("Victor Emmanual, King of Italy") - a reference to the sole native dynasty in Italy and the focus of nationalist hopes for unity.
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