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●●Kind of Blue●● All songs composed by Miles Davis (see content section for more information). Only six complete takes of the five tunes on the album exist, indicated by the song numbers. (Track listing) "So What" – 9:22 "Freddie Freeloader" – 9:46 "Blue in Green" – 5:37 "All Blues" – 11:33 "Flamenco Sketches" – 9:26 Reissue bonus track "Flamenco Sketches" (Alternate take) – 9:32 ********************************  Left to right: John Coltrane, Cannonball Adderley, Miles Davis and Bill Evans in the studio, 1959Miles Davis - Kind Of Blue (1959) - All Blues Kind of Blue SO WAHT 錄製現場: 史上最珍貴爵士音樂帶之一!!!! ★★★ ★★★
SO WHAT. Miles Davis"So What" is one of the best known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by+ 8 bars of E♭ Dorian and + another 8 of D Dorian. This AABA structure puts it in the 16 +8+8=32 bar format of American popular song. The piano-and-bass introduction for the piece was written by Gil Evans for Bill Evans (no relation) and Pa ul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction, after which the quintet played the rest of "So What".
Kind of Blue
Kind of Blue is a studio album by American jazz musician Miles Davis, released August 17, 1959, on Columbia Records in the United States. Recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis's ensemble sextet, which consisted of pianists Bill Evans and Wynton Kelly, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley. After the inclusion of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) and 1958 Miles (1958) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz.
Kind of Blue is based entirely on modality in contrast to Davis's earlier work with the hard bop style of jazz and its complex chord progression and improvisation. Though precise figures have been disputed, Kind of Blue has been cited by many music writers not only as Davis's best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis's masterpiece. The album's influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums of all time. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.
%%%%%%%%%%%%%%%%%%%%%%%%%%%% ● So What by Miles Davis ● "So What" is one of the best known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E♭ Dorian and another eight of D Dorian.[1] This AABA structure puts it in the thirty-two bar format of American popular song. The piano-and-bass introduction for the piece was written by Gil Evans for Bill Evans (no relation) and Paul Chambers on Kind of Blue.[citation needed] An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction, after which the quintet played the rest of "So What". The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine. While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More. The same chord structure was later used by John Coltrane for his standard "Impressions". ● Miles Davis - Freddie Freeloader ● 喜歡一開始兩個大師的和音 ● Blue in Green by. Miles Davis ● "All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a 12 bar blues in 6/4; the chord sequence is that of a basic blues and made up entirely of 7th chords, with a ♭VI in the turnaround instead of just the usual V chord. In the song's original key of G this chord is an E♭7.[1] The piece is made even more distinctive by the bass vamp that repeats through the whole piece, except when a V or ♭VI chord is reached (the 9th and 10th bars of a chorus). Further to this, there is a harmonically similar vamp that is played by the horns (the two saxophones in the case of Kind of Blue) at the beginning and then (usually) continued by the piano under any solos that take place. Each chorus is usually separated by a four-bar vamp which acts as an introduction to the next solo/chorus! Miles Davis - All Blues - 1964 Miles Davis & John Coltrane - Kind of blue ● Miles Davis - 05 Flamenco Sketches ● ● "Flamenco Sketches" (Alternate take) ●
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