法國畫家竇加在年輕時就面對視網膜病變，在他人生接下來的五十年，他從創作油畫轉向粉彩畫，因粉筆的線條比較容易看得清楚。雷諾瓦飽受關節炎之苦，手指蜷曲如爪，使他必須先讓指頭夾住畫筆才能開始作畫。一場手術使馬諦斯再也無法站立，於是他轉而從事剪貼藝術，指示助理們將彩色紙片貼在牆上一張較大的畫紙上，以創作更大幅的拼貼畫。這幾位畫家在經歷病痛折磨之後，在創作方面都有很大的突破，例如竇加的《藍色舞者》、雷諾瓦的《彈鋼琴的少女》、馬諦斯的《國王的悲哀》以及其他作品。他們因生命中的磨難與考驗而做出改變，從軟弱病痛中淬鍊出美麗的畫作。

使徒保羅也有類似的經歷，他在宣教初期其實並未打算前往加拉太，但一場疾病迫使他去了那裡（加拉太書4章13節）。保羅顯然是想換個環境才到了加拉太，但即便身體不適，他依然傳福音給加拉太人。出人意料的是，聖靈藉著保羅做奇妙的工作（3章2-5節），建立了加拉太教會。若不是因保羅生病，可能永遠不會有這麼令人驚訝的結果。

你曾經歷什麼考驗？這考驗如何改變你的人生方向？當你重新思考上帝給你的才能，你也許會看見，上帝會透過你的軟弱淬鍊出美麗的結果。

The artist Degas suffered retina disease for the last fifty years of his life, switching from paint to pastel because the chalk lines were easier to see. Renoir had to have brushes placed between his fingers when arthritis made them clench like claws. And when surgery left Matisse immobile, he turned to collage, directing assistants to attach colored pieces of paper to a larger sheet on the wall. What followed in each case was a creative breakthrough: Degas’ Blue Dancers, Renoir’s Girls at the Piano, Matisse’s The Sorrows of the King, and other masterpieces. By adapting to their trial, beauty emerged from their infirmity.

In a similar way, Paul wasn’t planning to visit Galatia during his early missionary journeys. An illness forced him there (Galatians 4:13). Apparently, Paul sought a different climate, wound up in Galatia and, even though he was ill, started preaching. Ironically, the Holy Spirit performed miracles through him (3:2-5) and the Galatian church was born. This surprising outcome may never have happened without Paul’s illness.

What trial have you faced, and how did it change the direction of your life? By refocusing your gifts, you too may see God bring beauty out of your infirmity.