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| 2005/06/23 13:45:37瀏覽1710｜回應3｜推薦23 | |
藝術的饗宴 當代繪畫和雕刻 是巴西人較重視的藝術 Tarsila do Armaral(1886~1973) 是巴西近代首趨一指的女畫家 於1886年 生於 Sao Paulo 鄉村的Capivari 城市 為百萬農莊主之女 優渥的家庭環境及才華洋溢 在十餘歲就負笈西班牙的巴塞隆納 習畫多年後又到法國再度深造 畫風自成一派 其作品以鮮明的色彩和 表現巴西主題而聞名 也是巴西近代頗具代表性的畫家之一 曾獲得名畫家高更賞識 也分別在歐洲多國展出畫作 均獲佳評 其代表作 Abaporu 在國際間亦頗富盛名 讓我們一起去看看 南美的畫風有什麼不同吧 請點 ↓ http://www.tarsiladoamaral.com.br/images/JPG/CARNAVAL50.jpg 'Carnaval em Madureira'-1924 The first is known as Pau Brasil (brazilwood), http://www.tarsiladoamaral.com.br/images/JPG/_morro_da_favela.jpg 'Morro da Favela'-1924 http://www.tarsiladoamaral.com.br/images/JPG/Efcb50.jpg 'EFCB' (Estação Central do Brasil)-1924 The first is known as Pau Brasil (brazilwood). http://www.tarsiladoamaral.com.br/images/JPG/_coracao_jesus.jpg 'Coração de Jesus'-1926 http://www.tarsiladoamaral.com.br/images/JPG/Lua50.jpg 'A Lua'-1928 http://www.tarsiladoamaral.com.br/images/JPG/ABAPORU50.jpg 'Abaporu'-1928 Her second phase is known by the name anthropophagic (once again after a manifesto by Oswald de Andrade, who had this time been inspired by one of his wife's works). http://www.tarsiladoamaral.com.br/images/JPG/OPERARIOS50.jpg 'Operários'-1933 The third phase followed a trip by Tarsila to the Soviet Union and shows her preoccupied with social themes, as in the paintings Segunda Classe (1933) (Second Class) and Operários (1933) (Workers). |
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