Websites Reference and Bibliography: The Portrait of a Lady

James, Henry. The Portrait of a Lady. New York: New American Library, 1963.

James, Henry. Italian Hours. Ed. John Auchard. University Park: Pennsylvania State U, 1992.

A. Theories

Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore & London: The Johns Hopkins UP, 2000. 673-95.

---. Illuminations. Ed. and Intro. Hannah Arendt. New York: Random House, 1988.

---. Charles Baudelaire: A lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. New York: Verso, 1997.

Kristeva, Julia. Black Sun: Depression and Melancholia. Trans. Leon S. Roudiez. New York: Columbia UP, 1989.

---. Julia Kristeva Interviews. Ed. Ross Mitchell Guberman. New York: Columbia UP, 1996.

Freud, Sigmund. Hysterical Phantasies and Their Relation to Bisexuality. 1908. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 9. Ed. J. Strachey. 159-166.

---. “Outline of Psycho-Analysis.” The Standard Edition of the Complete Works Vol. 23. Tran. James Strachey. London: Hogarth, 1953-64.

---. “Medusa’s Head.” 1921. Sexuality and the Psychology of Love. Ed. and Intro. Philip Eieef. New York: Touchstone, 1997.

---. “Mourning and Melancholia.” The Freud Reader. Ed. Peter Gay. New York: Norton, 1989. 584-88.

---. The Interpretation of Dreams. Tran. A. A. Brill. New York: Gramercy Books, 1996.

Gilloch, Graeme. Myth & Metropolis: Walter Benjamin and the City. Cambridge: Polity Press, 1996.

Hinshelwood, Robert. Introducing Melanie Klein. Cambridge: 1999, Icon Books.

Klein, Melanie. “The Psychoanalytic Play Technique: Its History and Significance.” 1955. Object Relations Theory and Practice. Ed. D. E. Scharff. Northvale: Jason Aronson, 1994. 120-30.

---. “A Contribution to the Psychogenesis of Manic-Depressive States.” Essential Papers on Object Relations. Ed. Peter Buckley. New York: New York UP, 1986. 40-70.

---. “Early Stages of the Oedipus Conflict.” Love, Guilt and Reparation and Other Works 1921-1945. Intro. Hanna Segal. London: Virago P, 1997. 186-98. Vol. 1 of The Writings of Melanie Klein. 4 vols. 1975-97.

---. “Mourning and Its Relation to Manic-Depressive States.” 1940. Love, Guilt and Reparation and Other Works 1921-1945. Segal 344-69.

---. “Notes on Some Schizoid Mechanisms.” 1946. Envy and Gratitude and Other Works 1946-1963. New York: Dell Publishing, 1975. 1-24. Vol. 3 of The Writings of Melanie Klein. 4 vols. 1975-97.

---. “The Early Development of Conscience in the Child.” 1933. Love, Guilt and Reparation and Other Works 1921-1945. Segal 248-57.

---. Envy and Gratitude and Other Works 1946-1963. London: Dell Publishing, 1975.

---. The Psycho-Analysis of Children. 1932. Trans. Alix Strachey. New York: Vintage, 1997. Vol. 2 of The Writings of Melanie Klein. 4 vols. 1975-97.

---. The Writings of Melanie Klein. Vols 4. Vol. I Love, Guilt and Reparation, and Other Works. Vol. II The Psycho-Analysis of Children. Vol. III Envy and Gratitude, and Other Works. Vol. IV Narrative of a Child Analysis. London: Hogarth, 1975.

Sayers, Janet. Mothers of Psychoanalysis: Helene Deutsch, Karen Horney, Anna Freud, Melanie Klein. New York: Penguin, 1991.

Spillius, Elizabeth Bott. “Freud and Klein on the Concept of Phantasy.” International Journal Psychoanal (2001) 82.361.

 

Adaptation

 

Aycock, Wendell M. Within Film and Literature: A Comparative Approach to Adaptation. Texas: Texas Tech UP, 1989.

Cartmell, Deborah and Imelda Whelehan, eds. Adaptations: From Text to Screen, Screen to Text. London; New York: Routledge, 1999.

Chatman, Seymour. “What Novels Can Do That Films Can’t (And Vice Versa).” On Narrative. Ed. W.J.T. Mitchell. Chicago: U of Chicago P, 1980.

Corrigan, Timothy. Film and Literature: An Introduction and Reader. New York: Prentice Hall, 1998.

Giddings, Robert and Erica Sheen. The Classic Novel: From Page to Screen. Manchester and New York: St. Martin’s Press, 2000.

Giddings, Robert. Screening the novel: The theory and Practice of Literary Dramatization. Basingstoke: Macmillan, 1990.

Klein, Michael and Gillian Parker, eds. The English Novel and the Movies. New York: Ungar, 1981.

Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London: Oxford UP, 1960.

Lupack, Barbara Tepa, ed. Nineteenth Century Women at the Movies: Adapting Classic Women’s Fiction to Film. Bowling Green: Bowling Green State UP Press, 1999.

Mayne, Judith. Private Novel, Public Film. Athens and Georgia: U of Georgia P, 1988.

McFarlane, Brian. Novel to Film: An Introduction to the Theory of Adaptation. 1957. New York: Oxford UP, 1996.

---. Words and Images: Australian Novels into Film. Victoria, Australia: Heinemann Publishers, 1983. 

Naremore, James, ed. Film Adaptation. New Brunswick, New Jersey: Rutgers University Press, 2000.

Orr, John and Colin Nicholson, eds. Cinema and Fiction: New Modes of Adapting, 1950-1990.Edinburgh: Edinburgh University Press, 1992.

Preissle, Robert Edward. Impossible Adaptations: Virginia Woolf and Henry James in the 1990s. DISS. The Ohio State U, 2002.

Reynolds, Peter, ed. Novel Images: Literature in Performance. Routledge: London and New York, 1993.

B. Film

Anesko, Michael. “The Consciousness on the Cutting Room Floor: Jane Campion’s The Portrait of a Lady.” Henry James on Stage and Screen. Ed. John R. Bradley. New York: Palgrave, 2000. 177-89.

Bauer, Dale M. “Jane Campion's Symbolic Portrait.” Henry James Review 18.2 (1997): 194-96.

Bentley, Nancy. “Conscious Observation: Jane Campion’s Portrait of a Lady.” Henry James Goes to the Movies. Ed. Susan M. Griffin. Kentucky: The UP of Kentucky, 2002. 127-146.

---. “'Conscious Observation of a Lovely Woman': Jane Campion's Portrait of a Lady.” Henry James Review 18.2 (1997): 174-79.

Berardinelli, James. “The Portrait of a Lady.” Reelviews Berardinelli. 1996. 18 November 2003 ＜movie-reviews.colossus.net/movies/p/portrait_lady.html＞.

Anesko, Michael. “The Consciousness on the Cutting Room Floor: Jane Campion’s The Portrait of a Lady.” Henry James on Stage and Screen. Ed. John R. Bradley. New York: Palgrave, 2000. 177-89.

Bentley, Nancy. “Conscious Observation: Jane Campion’s Portrait of a Lady.” Henry James Goes to the Movies. Ed. Susan M. Griffin. Kentucky: The UP of Kentucky, 2002. 127-146.

Berardinelli, James. “The Portrait of a Lady.” Reelviews Berardinelli. 1996. 18 November 2003 ＜http://movie-reviews.colossus.net/movies/p/portrait_lady.html＞.

Davis, Nicholas K. “The Portrait of a Lady.” Nick’s Flick Picks. 1996. 6 July 2004 ＜http://www.nicksflickpicks.com/portlady.html＞.

Ebert, Roger. “The Portrait of a Lady.” Chicago Sun-Times. January 2004. 1 July 2004 ＜www.suntimes.com/ebert/ebert_reviews/1997/01/011704.html＞.

Frazer, Bryant. “The Portrait of a Lady.” Deep Focus. 17 July 2004 ＜www.deep-focus.com/flicker/portrait.html＞.

Gillet, Sue. “A Pleasure to Watch: Jane Campion’s Narrative Cinema.” Screening the Past. 1 March 2001. 19 June 2004 ＜www.latrobe.edu.au/screeningthepast/firstrelease/fr0301/sgfr12a.htm＞.

Hopgood, Fincina. “Jane Campion.” Senses of Cinema. 2004. 1 July 2004 ＜www.sensesofcinema.com/contents/directors/02/campion.html＞.

Kelly, David. “The Lady in Frame: Two Portraits by Henry James and Jane Campion.” Senses of Cinema. Bill Mousoulis. 1996. 7 July 2004 ＜http://www.sensesofcinema.com/contents/01/18/lady_frame.html＞.

Kramer, Lawrence. “Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion’s The Portrait of a Lady.” Critical Inquiry 29.1 (2002): 25-52.

Lodge, David. “Henry James and the Movies.” Consciousness and the Novel. London: Secker & Warburg, 2002. 200-33.

Mexman, Virginia Wright ed. Jane Campion Interview. Mississippi: UP of Mississippi, 1999.

Nadel, Alan. “The Search for Cinematic Identity and a Good Man: Jane Campion's Appropriation of James's Portrait.” Henry James Review 18.2 (1997): 180-83.

Raw, Laurence. “James Cellan Jones’s View of Female Potential in The Portrait of a Lady (1968) and The Golden Bowl (1972).” ＜http://www2.newpaltz.edu/~hathaway/ejourn7.html＞.

Veeder, William. “The Portrait of a Lack.” New Essays on The Portrait of a Lady. Ed. Joel Porte. Cambridge UP, 1990.

Wexman, Virginia Wright. “Jane Campion: Interview.” University Press of Mississippi. 1999. 4 June 2004 ＜www.latrobe.edu.au/screeningthepast/reviews/rev1199/hmbr8a.htm＞.

C. Novel

 

Ash, Beth Sharon. “Frail Vessels and Vast Designs: A Psychoanalytic Portrait of Isabel Archer.” New Essays on The Portrait of a Lady. Ed. Joel Porte. New York: Cambridge UP, 1990. 123-62.

Bamberg, Robert ed. The Portrait of a Lady: An Authoritative Text, Henry James and the Novel, Reviews and Criticism. New York: Norton, 1995.

Beauchamp, Andrea Roberts. “'Isabel Archer': A Possible Source for The Portrait of a Lady.” American Literature 49 (1977): 267-71.

Bell, Millicent. “Refractions of Isabel Archer.” Union in Partition: Essays in Honour of Jeanne Delbaere. Eds. Gilbert Debusscher and Marc Maufort. Liege, Belgium: L3-Liege Language and Literature, 1997. 59-69.

Bloom, Harold. Isabel Archer. New York: Chelsea House, 1992.

Collins, Martha. “The Narrator, the Satellites, and Isabel Archer: Point of View in The Portrait of a Lady.” Studies in the Novel 8 (1976): 142-57.

Foeller-Pituch, Elzbieta. “Henry James's Cosmopolitan Spaces: Rome as Global City.” The Henry James Review 24.3 (Fall 2003): 291-97.

Habegger, Alfred. “The Fatherless Heroine and the Filial Son: Deep Background for The Portrait of a Lady.” New Essays on The Portrait of a Lady. Ed. Joel Porte. New York: Cambridge UP, 1990. 49-94.

Izzo, Donatella. “The Portrait of a Lady and Modern Narrative.” New Essays on The Portrait of a Lady. Ed. Joel Porte. New York: Cambridge UP, 1990. 33-48.

Jones, Granville H. Henry James’s Psychology of Experience: Innocence, Responsibility, and Renunciation in the Fiction of Henry James. Paris and Hague: Mouton, 1975.

Jöttkandt, Sigi. “Portrait of an Act: Aesthetics and Ethics in The Portrait of a Lady.” The Henry James Review 25 (2004): 67-86.

Kimmey, John. “London in The Portrait of a Lady.” The Henry James Review 5.2 (1984): 96-99.

Luciano, Dana. “Invalid Relations: Queer Kinship in Henry James's The Portrait of a Lady.” Henry James Review 23.2 (2002): 196-217.

Porte, Joel. “Introduction: The Portrait of a Lady and ‘Felt Life.’” New Essays on The Portrait of a Lady. Ed. Joel Porte. New York: Cambridge UP, 1990. 1-32.

Powers, Lyall H. The Portrait of a Lady: Maiden, Women, and Heroine. Boston: Twayne, 1991.

Routh, Michael. “Isabel Archer’s Double Exposure: A Repeated Scene in The Portrait of a Lady.” Henry James Review 1 (1980): 262-63.

Sabiston, Elizabeth Jean. The Prison of Womanhood: Four Provincial Heroines in Nineteenth-Century Fiction. New York: St. Martin’s Press, 1987.

Sabiston, Elizabeth. “Isabel Archer: The Architecture of Consciousness and the International Theme.” The Henry James Review 7.2-3 (1986): 29-47.

Stowell, H. Peter. Literary Impressionism, James and Chekhov. Athens: The U of Georgia P, 1980.

Veeder, William. “The Portrait of a Lack.” New Essays on The Portrait of a Lady. Ed. Joel Porte. New York: Cambridge UP, 1990. 95-122.