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TANGO BIBLIOGRAPHY
Tango Articles
Castro, Donald S. “Carlos Gardel and the Argentine Tango: The Lyric of Social
Irresponsibility and Male Inadequacy.” The Passion of Music and Dance. Ed.
William Washabaugh.Oxford:New York, 1998. 63‐78.
______. “The Massification of the Tango: The Electronic Media, the Popular Theatre
and the Cabaret from Contursi to Perón, 1917‐1955.” Studies in Latin
American Popular Culture 18 (1999): 93‐114.
______. “Popular Culture as a Source for the Historian: The Tango in Its Era of ‘La
Guardia Vieja.’” Studiesin Latin American Popular Culture 3 (1984): 70‐85.
______. “Popular Culture as a Source for the Historian: Why Carlos Gardel?” Studies
in Latin American Popular Culture 5 (1986): 144‐162.
______. “The Soul of the People: The Tango as a Source for Argentine Social
History.” Studiesin Latin American Popular Culture 9 (1990): 279‐295.
______. “The Soul of the People: The Tango Poets of the 1920s and the 1930s and
Their Use of Popular Language.” Studies in Latin American Popular Culture 8
(1989): 231‐251.
Corradi, Juan E. “How Many did it take to Tango? Voyages of Urban Culture in the Early
1900s.”Outsider Art. England: CambridgeUPress, 1997. 194‐214.
Cottrol, Robert J. “Beyond Invisibility: Afro‐Argentines in their Nation's Culture and
Memory.” Latin American Research Review 42.1 (2007): 139‐57.
Frank, Patrick. “Argentine Graphic Arts and the rise of Tango.” Studies in Latin
American Popular Culture 21 (2002): 59‐76.
Parker, Robert A. “Take Two forthe Tango.” Americas 38.5 (1986), 32‐35.
Peters. Sally. “From Eroticism to transcendence: Ballroom Dance and the Female
Body.” The Female Body: Figures, Style, Speculations. Ann Arbor: U of Michigan
P, 1991.
Podalsky, Laura. “‘Tango, Like Scotch, is Best Taken Straight:’ Cosmopolitan Tastes and
Bodies Out of Place.” Studies in Latin American Popular Culture 21.0 (2002):
131‐54.
Reichardt,Dieter. “Tango und Repression.” Iberoamericana 6.15 (1982): 115‐125.2
Scott. McDonald. “Interview with Sally Potter.” CameraObscura 35 (May 1995): 218.
Salmon, Russell O. “Tango: Its Origin and Meaning.” Journal of Popular Culture 10
(1977): 859‐866.
Taylor,J. M. “Tango.” Cultural Anthropology 2 (1987): 481‐493.
______. “Tango: Theme of Class andNation.” Ethnomusicology 20 (1976), 273‐291.
Tobin, Joseph J. “Tango and the Scandal of Homosocial Desire.” The Passion of Music
and Dance: Body,Gender and Sexuality. Ed. William Washabaugh.Oxford: Berg,
1998. 79‐102.
Viladrich, Anahí. “Neither Virgins nor Whores: Tango Lyrics and Gender
Representationsin the Tango World.” Journal of Popular Culture 39 (2006): 272‐
293.
Viladrich, Anahí. “Tango Immigrants in New York City.” Journal of Contemporary
Ethnography 34 (2005): 533‐559.
Zlotchew, Clark M. “Tango from the Inside: Interview with Enrique Cadícamo.”
Journal of Popular Culture 1987 21(3): 131‐143.
Books
Castro, Donald S. The Argentine Tango as Social History, 1880‐1955: The Soul of the
People. Lewiston: E. Mellen Press, 1991.
Farrando, Julio. That Magnificent Tango. Tangmere. West Sussex, England: J.
Farrando, 1990.
Groppa, Carlos G. The Tango in the United States: A History. Jefferson, NC: McFarland
&Co, 2004.
Guedalla, Philip. Rag‐time and Tango. London:Hodder and Stoughton, 1938.
Kukkonen, Pirjo. Tango Nostalgia: The Language of Love and Longing; Finnish Culture
in Tango Lyrics Discourses; A Contrastive Semiotic and Cultural Approach to the
Tango.Helsinki:HelsinkiUniversity Press, 2003. Mujica Láinez, Roberto.
Reinoso, Pablo. The Tango Story: The Argentine Dance That Swept the World. [s.l.]:
s.n., 1950. Tango. Lausanne, Suisse: P.M. Favre, 1982.
Savigliano, Marta. Tango and the Political Economy of Passion. Boulder: Westview
Press, 1995.
Thompson, Robert Farris. Tango: The Art History of Love. New York: Pantheon Books,
2005.
Taylor,Julie. Paper Tnagos.Durham,N.C.: dukeUP, 1998.3
Dissertations
Baim, Jo. The Tango: Icon of Culture, Music, and Dance in Argentina, Europe, and the
United Statesfrom1875 TO1925.University of Cincinnati, 1997.
Guim, George. An Ontology of Social Organization Revealed through an
Appropriation of Autopoiesis and Hermeneutic Principles in the
Re‐Interpretation ofthe Argentine Tango.University of San Francisco, 2001.
Maret, Carmen Lea. Transforming Bodies: Tango in the Michigan Argentine Tango
Club. Michigan StateUniversity, 2005.
Solomianski, Alejandro Javier. Blackness in Argentina: The Repression and
Representations of Afro‐Argentine Identities in the National Imaginary.
University of Pittsburgh, 2001.
Tobin, Jeffrey P. Manly Acts: Buenos Aires, 24 March 1996 (Argentina, Masculinity,
Asado, Soccer, Tango,National Identity). RiceUniversity, 1998.
Tsai, I‐Ching. The Evolution of the Tango and Astor Piazzolla's Tango Nuevo. The
ClaremontGraduateUniversity, 2005.
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