IV. The Age of Innocence

A. Websites Reference

1. The Film

“A Film Review by James Berardinelli.” http://www.reelviews.net/movies/a/age_inno.html 

“Spirituality and Practice.” http://www.spiritualityandpractice.com/films/films.php?id=3540 

Lukas, Karli. “Creative Visions: (De) constructing “The Beautiful in Scorsese’s The Age of Innocence. ” Senses of Cinema. 8 Sept 2006 ＜http://www.sensesofcinema.com/contents/ctequ/03/25/age_of_innocence.html＞.

Lukas, Karli. “Creative Visions: (De) constructing “The Beautiful in Scorsese’s The Age of Innocence. ” Senses of Cinema. 8 Sept 2006 ＜http://www.sensesofcinema.com/contents/ctequ/03/25/age_of_innocence.html＞.

Murphy, Kathleen. “Artist of the Beautiful.” Film Comment 29.6 (Nov.-Dec. 1993): 11-15.

Nicholls, Mark. "Male Melancholia and Martin Scorsese's The Age of Innocence." Film Quarterly 58.1 (2004): 25-35.

The Age of Innocence Script. (recommended) http://www.script-o-rama.com/movie_scripts/a/age-of-innocence-script-transcript.html

Wikipedia on The Age of Innocence. http://en.wikipedia.org/wiki/The_Age_of_Innocence_(film)

2. The Novel

B. Bibliography

1. The Film

Castellitto. George P. “Imagism and Martin Scorsese: Images Suspended in Time Extended.” Literature Film Quarterly 26.1 (1998): 23-29.

Christe, Ian. “The Scorsese Interview.” Sight and Sound 42.2 (Feb. 1994): 10-15.

Horne, Philip. “The Age of Innocence: Scorsese, Wharton and James.” Film Studies: An International Review 3 (2002): 5-17.

Lee, Robert A. “Watching Manners: Martin Scorsese's The Age of Innocence, Edith Wharton's The Age of Innnocence.” The Classic Novel: From Page to Screen. Ed. Giddings Robert Sheen Erica. Manchester, England--New York, NY: Manchester UP--St. Martin's, 2000. 163-78.

Levine, Jessica. Delicate Pursuit : Discretion in Henry James and Edith Wharton. Studies in Major Literary Authors ; V. 13. New York: Routledge, 2002.

Murphy, Kathleen. “Artist of the Beautiful.” Film Comment 29.6 (Nov.-Dec. 1993): 11-15.

Nicholls, Mark. "Male Melancholia and Martin Scorsese's The Age of Innocence." Film Quarterly 58.1 (2004): 25-35.

---. Scorsese’s Men: Melancholia and the Mob. Melbourne: Pluto Press. 2004.

---. Scorsese’s Men: Melancholia and the Mob. Melbourne: Pluto Press. 2004.

Skaggs, Carmen Trammell. "Looking through the Opera Glasses: Performance and Artifice in The Age of Innocence." Mosaic: A Journal for the Interdisciplinary Study of Literature 37.1 (2004): 49-61.

Stern, Lesley. The Scorsese Connection. Bloomington and Indianapolis: Indiana UP, 1995.

2. The Novel

Asya, Ferda. “Resolutions of Guilt: Cultural Values Reconsidered in Custom of the Country and The Age of Innocence.” Edith Wharton Review 14.2 (1997): 15-20.

Edwards, Brian T. "The Well-Built Wall of Culture: Old New York and Its Harems." Edith Wharton: The Age of Innocence: Authoritative Text, Background and Contexts, Sources, Criticism. Ed. Candace Waid. Norton Critical Editions. New York: W. W. Norton, 2003. 482-506.

Saunders, Judith P. "Wharton's Borrowing from Crane's Maggie in The Age of Innocence." Edith Wharton Review 19.1 (Spring 2003): 1, 4-8.

Tebbetts, Terrell. "Conformity, Desire, and the Critical Self in Wharton's The Age of Innocence." Philological Review 30.1 (2004): 25-38.

Villasur, Belâen Vidal. “Classic Adaptations, Modern Reinventions: Reading the Image in the Contemporary Literary Film.” Screen 43.1 (2002): 5-18.

Wagner-Martin, Linda. The age of innocence: A Novel of ironic nostalgia. New York: Twayne Publishers, c1996.

Witherow, Jean. "A Dialectic of Deception: Edith Wharton's The Age of Innocence." Mosaic 36.3 (2003): 165-80.