Websites Reference and Bibliography: Edith Wharton

I. Primary Sources

Wharton, Edith. The Age of Innocence. New York: Scribner’s, 1970.  

Wharton, Edith. The Age of Innocence: Authoritative Text, Contexts, Criticism. Ed. Candace Waid. New York: Norton, 2003.

Wharton, Edith. The House of Mirth. London: Everyman’s Library, 1991.

The Age of Innocence. 1993. DVD. Dir. Martin Scorsese. Perf. Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder. Sony Pictures, 2001.

The House of Mirth. 2000. DVD. Dir. Terence Davies. Perf. Gillian Anderson and Eric Stoltz. Sony Pictures, 2001.

II. General

A. Websites Reference

The Edith Wharton Society Site http://www.edithwhartonsociety.org/index.html.

B. Bibliography

Peucker, Brigitte. “The moment of portraiture: Scorsese reads Wharton.” A Companion to Literature and Film.  Eds. Robert Stam and Alessandra Raengo. Malden and MA : Blackwell Pub., 2004.

Bell, Millicent. Edith Wharton & Henry James: The Story of Their Friendship. New York: Braziller, 1965.

Bentley, Nancy. The Ethnography of Manners: Hawthorne, James, Wharton. Cambridge Studies in American literature and Culture. Cambridge and New York: Cambridge UP, 1995.

Bloom, Harold. Edith Wharton. Bloom's Major Novelists. Broomall, PA: Chelsea House Publishers, 2002.

Coolidge, Olivia E. Edith Wharton (1862-1937). New York: Scribner, 1964.

Frantz, Blackall Jean. "Henry and Edith: 'The Velvet Glove' as an 'In' Joke." The Henry James Review 7.1 (1985): 21-25.

Gentry, Deborah. The Art of Dying : Suicide in the Works of Kate Chopin, Edith Wharton, and Sylvia Plath. Peter Lang, 2000.

Goodman, Susan. Edith Wharton's

Hanley, Lynne T. "The Eagle and the Hen: Edith Wharton and Henry James." Research Studies 49.3 (1981): 143-153.

James, Henry, Edith Wharton, and Lyall Harris Powers. Henry James and Edith Wharton: Letters, 1900-1915. New York: Scribner's, 1990.

Joslin, Katherine. "'Embattled Tendencies': Wharton, Woolf and the Nature of Modernism." Special Relationships: Anglo-American Affinities and Antagonisms 1854-1936. Eds. Janet Beer and Bridget Bennett. Manchester: Manchester UP, 2002. vi-x, 266.

Kozikowski, Stanley J. "Unreliable Narration in Henry James's 'The Two Faces' and Edith Wharton's 'The Dilettante'." Arizona Quarterly 35 (1979): 357-72.

 Levine, Jessica. Delicate Pursuit: Discretion in Henry James and Edith Wharton. New York: Routledge, 2002.

Luria, Sarah. "The Architecture of Manners: Henry James, Edith Wharton, and the Mount." American Quarterly 49.2 (1997): 298-327.

Macnaughton, William R. "Edith Wharton, The Reef and Henry James." American Literary Realism 26.2 (1994): 43-59.

Marshall, Scott. “Edith Wharton on Film and Television: A History and Filmography. ” Edith Wharton Review 13.2 (1996): 15-26.

Nettels, Elsa. Language and Gender in American Fiction: Howells, James, Wharton, and Cather. Charlottesville: UP of Virginia, 1997.

Orlando, Emily J. Edith Wharton and the Visual Arts. Tuscaloosa: U of Alabama P, 2006.

Preston, Claire. Edith Wharton's Social Register. New York: St. Martin's P, 2000.

Stam, Robert. “Introduction.” Literature and Film: A Guide to the Theory and Practice of Film Adaptation. Ed. Robert Stam and Alessandra Raengo. London: Blackwell Publishing, 2005.

Tintner, Adeline R. "Fiction Is the Best Revenge: Portraits of Henry James by Four Women Writers." Turn-of-the-Century Women 11.2 (1985): 42-49.

---. "Mothers vs. Daughters in the Fiction of Edith Wharton and Henry James." AB Bookman's Weekly (1983): 24-29.

---. "'The Hermit and the Wild Woman': Edith Wharton's 'Fictioning' of Henry James." Journal of Modern Literature 4 (1974): 32-42.

---. "The Metamorphoses of Edith Wharton in Henry James's The Finer Grain." Twentieth Century Literature: A Scholarly and Critical Journal 21 (1975): 355-79.

---. Edith Wharton in Context. Tuscaloosa: U of Alabama P, 1999.

---. Edith Wharton in Context: Essays on Intertextuality. Tuscaloosa: University of Alabama Press, 1999.

Tuttleton, James W. "Henry James and Edith Wharton: Fiction as the House of Fame." Midcontinent American Studies Journal 7.1 (1966): 25-36.

Villasur, Belâen Vidal. "Classic Adaptations, Modern Reinventions: Reading the Image in the Contemporary Literary Film." Screen 43.1 (2002): 5-18.

Zihala, Maryann. Edith Wharton's Old New York Society. Lanham, Md.: UP of America, 2002.

III. Psychoanalytic Theory

A. Websites Reference

劉紀蕙。“The Semiotic and the Symbolic” 。Notes。克莉絲蒂娃專題：符號、文本、政治。

http://www.srcs.nctu.edu.tw/joyceliu/mworks/mw-onlinecourse/2004Kristeva/05.html 。

The Johns Hopkins Guide to Kristeva:

http://www.taalfilosofie.nl/bestanden/hopkins_kristeva.pdf

The Return of the Chora: The Heterogeneous Sense of Self in Virginia Woolf’s Novels (dissertation)

http://www.cetd.com.tw/ec/thesisDetail.aspx?etdun=U0002-3107200612133100&key=%e8%94%a1%e6%b7%91%e7%8e%b2%e5%8d%9a%e5%a3%ab&p1=0&p20=1&p21=0&p22=0&p23=0&p3=%e5%85%a8%e9%83%a8&p40=0&p41=0&p5=%e4%b8%8d%e9%99%90&p6=15&position=1&kind=searchresult&c1=&c2=&c3=&n1=&n2=&n3=&frombrowse=#abstract_c

劉紀蕙。“Fantasy and Cinema”。克莉絲蒂娃專題：符號、文本、政治。

http://www.srcs.nctu.edu.tw/joyceliu/mworks/mw-onlinecourse/2004Kristeva/02.html 

 “A Dialectic Space between the Semiotic and the Symbolic: A Critical Study of Julia Kristeva’s Philosophy”（中文譯文）

     http://www.culstudies.com/rendanews/displaynews.asp?id=2889 

克莉絲特娃及語言中的主體II：

http://www.srcs.nctu.edu.tw/joyceliu/mworks/mw-onlinecourse/psych2002/kristeva2.ppt

“Babies and Books: Motherhood and Writing.”

http://www.literarymama.com/litcrit/archives/000105.html

Kristvea and Feminism. http://www.cddc.vt.edu/feminism/Kristeva.html

Noelle McAfee’s Article. http://faculty.uml.edu/nmcafee/wt.htm

B. Bibliography

談玉儀（Tan, Yuh-yi）。＜《聽之認之》女性人稱之想像＞（Three Imaginary Pronouns as Motherhood in Dictee）。《中外文學》33卷第26期（93年8月）：101-130。http://elearning.hfu.edu.tw/moodle/mod/resource/view.php?id=3011

李秀娟（Hsiu-chuan Lee）。〈悲傷母親、逼真女人：阿莫多瓦《我的母親》的動態顯影〉（From Mater Dolorosa to Becoming-Real Woman: The Time-Image in Pedro Almodóvar's All about My  Mother）。《中外文學》35卷第6期（95年11月）：57-83。

蔡淑玲。＜聽，那萬流匯聚的「中界」——從克莉絲蒂娃的「宮籟」探主體的異化與論述的侷限＞(“Kristeva’s Chora--The Alienation of Subject and the Limit of Discourse”)。《中外文學災難、創傷與記憶：第二十五屆全國比較文學會議論文專輯（上）》(Catastrophe, Trauma and Memory, Part I) (2002年1月)。

梁濃剛。《快感與兩性差別：後現代主義文化理論的一些側面》。台北：遠流，1994。

羅婷。《克里斯多娃》。台北：生智，2002。

西川直子。《克里斯托娃多元邏輯》。河北：河北教育出版社，2002。

Julia, Kristeva。Interview Marie-Christine Navarro.《克莉斯蒂娃訪談錄：思考之危境》。吳錫德譯。台北：麥田，2005。

Julia, Kristeva。《恐怖的力量》（The Powers of Horror）。彭仁郁譯。劉紀蕙導讀。台北：桂冠，2003。

Arnett, M. Alison. “A Metaphor of the Unspoken: Kristeva’s Semiotic Chora.” Cultural Semiosis: Tracing the Signifier. Ed. by Hugh J. Silverman. New York: Routledge, 1998. 154-66.

Burton, Robert. The Anatomy of Melancholia. Princeton UP, 1976.

Cheng, Anne Anlin. The Melancholy of Race: Psychoanalysis, Assimilation and Hidden Grief. New York: Oxford UP, 2000.

Crownfield, David. Ed. Body / Text in Julia Kristeva: Religion, Women, and Psychoanalysis. New York: State University of New York Press, 1992.

Doane, Janice and Devon Hodges. From Klein to Kristeva: Psychoanalytic Feminism and the Search for the “Good Enough” Mother. Ann Arbor: The U of Michigan Press, 1992.

Fletcher, John. & Benjamin, Andrew. Eds. Abjection, Melancholia, and Love: The Work of Julia Krsiteva. London & New York: Routledge, 1990.

Freud, Sigmund. “Mourning and Melancholia.” The Freud Reader. Ed. Peter Gay New York: Norton, 1989. 584-88.

---. “The Theme of the Three Caskets.” The Freud Reader. Ed. Peter Gay. New York: Norton, 1989. 514-22.

Genette, Gérard. Palimpsestes. Paris: Seuil, 1982.  

Guberman, Ross Mitchell. Ed. Julia Kristeva Interviews. New York: Columbia University Press, 1996.

Kristeva, Julia. “On the Melancholic Imaginary.” Trans. Louise Burchill. Discourse in Psychoanalysis and Literature. Ed. Shlomoth Rimmon-Kenan. New York: Methuen, 1988. 104-23.

---. “Fantasy and Cinema.” Intimate Revolt: the Powers and Limits of Psychoanalysis. New York: Columbia UP. 63-80.

--- “Stabat Mater.” Tales of Love. Trans. Leon S. Roudiez. New York: Columbia UP, 1987. 234-62.

---. “The Phantasy as a Metaphor Incarnate.” Melanie Klein. Trans. Ross Guberman. New York: Columbia UP, 2001.

---. Black Sun: Depression and Melancholia. Tran. Leon S. Roudiez. New York: Columbia UP, 1989.

---. In the Beginning Was Love: Psychoanalysis and Faith. (1985). Trans. by Arthur Goldhammer. New York: Columbia UP, 1987.

---. Strangers to Ourselves. trans. by Leon S. Roudiez. New York: Columbia UP, 1991.

---. Nations Without Nationalism. (1990) Trans. Leon S. Roudiez.  New York: Columbia UP, 1993.

---. New Maladies of the Soul. Trans. Ross Guberman. New York: Columbia UP, 1995.

---. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia UP, 1982.

---. Revolution in Poetic Language. New York: Columbia UP, 1984.

---. Tales of Love. Trans. Leon S. Roudiez. New York: Columbia UP, 1987.

---. “Giotto’s Joy.” Desire in Language: A Semiotic Approach to Literature and Art. Ed. Leon S. Roudiez. Trans. Thomas Gora. New York: Columbia UP, 1980. 210-36.

---. “The Bounded Text.” Desire in Language. Ed. Leon S. Roudiez. New York: Columbia UP, 1980.

---. Julia Kristeva Interviews. Ed. Ross Mitchell Guberman. New York: Columbia UP, 1996.

Lechte, John. Julia Kristeva. London and New York: Routledge, 1990.

Moi, Toril. Sexual/Textual Politics: Feminist Literary Theory. London and New York: Routledge, 1994.

Olin-Ammentorp, Julie. “Wharton through a Kristevan Lens: The Maternality of The Gods Arrive.” Wretched Exotic: Essays on Edith Wharton in Europe. Eds. Katherine Joslin and Alan Price. New York. Peter Lang, 1993. 295-312.

Oliver, Kelly ed. Ethics, Politics, and Difference in Julia Kristeva’s Writing. New York and London: Routledge, 1993.

---. Reading Kristeva: Unraveling the Double-Bind. Bloomington and Indianapolis: Indiana University Press, 1993.

Radden, Jennifer ed. The Nature of Melancholy: From Aristotle to Kristeva. New York: Oxford UP, 2000.

Smith, Anne-Marie. Julia Kristeva: Speaking the Unspeakable. London: Pluto Press, 1998.

Starr, Peter. Logics of Failed Revolt: French Theory after May ’68. Stanford: Stanford UP, 1995.

Stewart, Garrett. Reading Voices: Literature and the Phonotext. Berkeley and Los Angeles: U of California Press, 1990.

 

 

Inner Circle

. Literary Modernism Series. 1st ed. Austin: University of Texas Press, 1994.