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《一位女士的畫像》引用書目
2007/02/04 11:40:45瀏覽448|回應0|推薦2

劉毓秀。〈精神分析女性主義——從佛洛依德到伊蕊格萊〉。《女性主義理論與流派》。顧燕翎編。台北:女書文化,1996年。

珍妮特·榭爾絲。《母性精神分析》。劉慧卿譯。台北:心靈工坊,2001。

亨利·詹姆斯。《一位女士的畫像》。秦懷祖譯。台北:志文,1996。

拉文尼·鞏美之。《客體關係入門:基本理論與應用》。陳登義譯。台北:五南圖書,2006

茱麗亞·希格爾。《克萊恩》。陳逸群譯。台北:生命潛能,2001

楊明敏。《克萊恩觀點下的男性特質:以弗洛伊德的個案<鼠人>為例》。台北:五南圖書,2002

梅蘭尼·克萊恩。《兒童精神分析》。林玉華譯。台北:心靈工坊,2005。【Klein, Melanie. The Psycho-Analysis of Children. 1932. Trans. Alix Strachey. New York: Vintage, 1997. Vol. 2 of The Writings of Melanie Klein. 4 vols. 1975-97.

梅蘭尼·克萊恩。《嫉羨和感恩》。劉慧卿、呂煦宗譯。台北:心靈工坊,2005。【Klein, Melanie. Envy and Gratitude and Other Works 1946-1963. London: Dell Publishing, 1975.

漢娜•西格爾。<引言>。《嫉羨和感恩》。劉慧卿、呂煦宗譯。台北:心靈工坊,2005xiii-xvii.       

梅蘭尼·克萊恩。《兒童分析的故事》。邱羽先譯。台北:心靈工坊,2006。【Klein, Melanie. Narrative of a Child Analysis. London: Hogarth, 1975.

保羅·霍姆斯。《客體關係理論與心理劇》。謝珮玲、楊大和合譯。台北:張老師文化事業,2002

Allen, Graham. Intertextuality. New York: Routledge, 2000.

Anesko, Michael. “The Consciousness on the Cutting Room Floor: Jane Campion’s The Portrait of a Lady.” Henry James on Stage and Screen. Ed. John R. Bradley. New York: Palgrave, 2000. 177-89.

Bentley, Nancy. “Conscious Observation: Jane Campion’s The Portrait of a Lady.” Henry James Goes to the Movies. Ed. Susan M. Griffin. Kentucky: The UP of Kentucky, 2002. 127-146.

Bluestone, George. Novels into Film.1957. New York: Johns Hopkins UP, 2003.

Campion, Jane. “Interview.” By Rachel Abramowitz. Premiere 3 (1997 March): 104-06.

Chatman, Seymour. “What Novels Can Do That Films Can’t (And Vice Versa).” On Narrative. Ed. W.J.T. Mitchell. Chicago: U of Chicago P, 1980.

Clair, Michael St.and Jodie Wigren. Object Relations and Self Psychology: An Introduction. New York: Wadsworth Publishing, 2003.

Ferrell, William. Literature and Film as Modern Mythology. London: Praeger Paperback, 2000. 2000

Foeller-Pituch, Elzbieta. “Henry James's Cosmopolitan Spaces: Rome as Global City.” The Henry James Review 24.3 (Fall 2003): 291-97.

Freud, Sigmund. “Beyond the Pleasure Principle.” The Freud Reader. Ed. Peter Gay. New York: W. W. Norton, 1989. 594-625.

---. The Ego and the Id. New York: Norton, 1962.

---. The Interpretation of Dreams. Trans. A. A. Brill. New York: Gramercy Books, 1996.

---. The Unconscious. 1915. New York: Penguin, 2005.

Isaacs, Susan. “The Nature and Function of Phantasy.” The Freud-Klein controversies, Ed. Pearl King and Riccardo Steiner. London: Routledge, 1991. 264-321.

James, Henry. Henry James Letters. Ed. Leon Edel. 4 vols. Cambridge: Harvard UP, 1974.

---. The Portrait of a Lady. Ed. Robert D. Bamberg. New York: Norton, 1975.

---. The Portrait of a Lady. Intro. Peter Washington. New York: Everyman’s Library, 1991. 

Jones, Laura. The Portrait of a Lady: The Screenplay Based on the Novel by Henry James. New York: Penguin, 1996.

Kimmey, John. “London in The Portrait of a Lady.” The Henry James Review 5.1 (Fall 1983): 96-99.

Klein, Melanie. The Writings of Melanie Klein. Vols 4. Vol. I Love, Guilt and Reparation, and Other Works. Vol. II The Psycho-Analysis of Children. Vol. III Envy and Gratitude, and Other Works. Vol. IV Narrative of a Child Analysis. London: Hogarth, 1975.

Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London: Oxford UP, 1960.

Kristeva, Julia. “Fantasy and Cinema.” Intimate Revolt: the Powers and Limits of Psychoanalysis. New York: Columbia UP. 63-80.

---. “The Bounded Text.” Desire in Language. Ed. Leon S. Roudiez. New York: Columbia UP, 1980.

---. “The Phantasy as a Metaphor Incarnate.” Melanie Klein. Trans. Ross Guberman. New York: Columbia UP, 2001.

---. Black Sun: Depression and Melancholia. Trans. Leon S. Roudiez. New York: Columbia UP, 1989.

---. Tales of Love. Trans. Leon S. Roudiez. New York: Columbia UP, 1987.

Lodge, David. “Henry James and the Movies.” Consciousness and the Novel. London: Secker & Warburg, 2002. 200-33.

Mayne, Judith. Private Novel, Public Film. Athens and Georgia: U of Georgia P, 1988.

McFarlane, Brian. Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon Press, 1996.

Mitchell, Juliet. ed. The Selected Melanie Klein. 1986. London: Penguin Books, 1986.

Mizejewski, Linda. Divine Decadence: Fascism, Female Spectacle, and the Makings of Sally Bowles. 1992.

Nadel, Alan. “The Search for Cinematic Identity and a Good Man: Jane Campion's Appropriation of James's Portrait.” Henry James Review 18.2 (1997): 180-83.

Spillius, Elizabeth Bott. “Freud and Klein on the Concept of Phantasy.” International Journal of Psychoanalysis (2001) 82: 361-73.

Stam, Robert and Alessandra Raengo eds. Literature and Film. Oxford: Blackwell Publishing Ltd., 2005.  

The Portrait of a Lady. Dir. Jane Campion. Perf. Nicole Kidman, John Malkovich, and Barbara Hershey. PolyGram, 1996.

 

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