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劉毓秀。〈精神分析女性主義——從佛洛依德到伊蕊格萊〉。《女性主義理論與流派》。顧燕翎編。台北:女書文化,1996年。 珍妮特·榭爾絲。《母性精神分析》。劉慧卿譯。台北:心靈工坊,2001。 亨利·詹姆斯。《一位女士的畫像》。秦懷祖譯。台北:志文,1996。 拉文尼·鞏美之。《客體關係入門:基本理論與應用》。陳登義譯。台北:五南圖書,2006。 茱麗亞·希格爾。《克萊恩》。陳逸群譯。台北:生命潛能,2001。 楊明敏。《克萊恩觀點下的男性特質:以弗洛伊德的個案<鼠人>為例》。台北:五南圖書,2002。 梅蘭尼·克萊恩。《兒童精神分析》。林玉華譯。台北:心靈工坊,2005。【Klein, Melanie. The Psycho-Analysis of Children. 1932. Trans. Alix Strachey. 梅蘭尼·克萊恩。《嫉羨和感恩》。劉慧卿、呂煦宗譯。台北:心靈工坊,2005。【Klein, Melanie. Envy and Gratitude and Other Works 1946-1963. London: Dell Publishing, 1975.】 漢娜•西格爾。<引言>。《嫉羨和感恩》。劉慧卿、呂煦宗譯。台北:心靈工坊,2005。xiii-xvii. 梅蘭尼·克萊恩。《兒童分析的故事》。邱羽先譯。台北:心靈工坊,2006。【Klein, Melanie. Narrative of a Child Analysis. London: Hogarth, 1975.】 保羅·霍姆斯。《客體關係理論與心理劇》。謝珮玲、楊大和合譯。台北:張老師文化事業,2002。 Allen, Graham. Intertextuality. Anesko, Michael. “The Consciousness on the Cutting Room Floor: Jane Campion’s The Portrait of a Lady.” Henry James on Stage and Screen. Ed. John R. Bradley. Bentley, Bluestone, George. Novels into Film.1957. Campion, Jane. “Interview.” By Rachel Abramowitz. Premiere 3 (1997 March): 104-06. Chatman, Seymour. “What Novels Can Do That Films Can’t (And Vice Versa).” On Narrative. Ed. W.J.T. Mitchell. Clair, Michael St.and Jodie Wigren. Object Relations and Self Psychology: An Introduction. Ferrell, William. Literature and Film as Modern Mythology. Foeller-Pituch, Elzbieta. “Henry James's Cosmopolitan Spaces: Freud, Sigmund. “Beyond the Pleasure Principle.” The Freud Reader. Ed. Peter Gay. ---. The Ego and the ---. The Interpretation of Dreams. Trans. A. A. Brill. ---. The Unconscious. 1915. Isaacs, Susan. “The Nature and Function of Phantasy.” The Freud-Klein controversies, Ed. Pearl King and Riccardo Steiner. James, Henry. Henry James Letters. Ed. Leon Edel. 4 vols. ---. The Portrait of a Lady. Ed. Robert D. Bamberg. ---. The Portrait of a Lady. Intro. Peter Washington. Jones, Laura. The Portrait of a Lady: The Screenplay Based on the Novel by Henry James. Kimmey, John. “ Klein, Melanie. The Writings of Melanie Klein. Vols 4. Vol. I Love, Guilt and Reparation, and Other Works. Vol. II The Psycho-Analysis of Children. Vol. III Envy and Gratitude, and Other Works. Vol. IV Narrative of a Child Analysis. Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. Kristeva, Julia. “Fantasy and Cinema.” Intimate Revolt: the Powers and Limits of Psychoanalysis. ---. “The Bounded Text.” Desire in Language. Ed. Leon S. Roudiez. ---. “The Phantasy as a Metaphor Incarnate.” Melanie Klein. Trans. Ross Guberman. ---. Black Sun: Depression and Melancholia. Trans. Leon ---. Tales of Love. Trans. Leon Lodge, David. “Henry James and the Movies.” Consciousness and the Novel. Mayne, Judith. Private Novel, Public Film. McFarlane, Brian. Novel to Film: An Introduction to the Theory of Adaptation. Mitchell, Juliet. ed. The Selected Melanie Klein. 1986. Mizejewski, Linda. Divine Decadence: Fascism, Female Spectacle, and the Makings of Sally Bowles. 1992. Nadel, Alan. “The Search for Cinematic Identity and a Good Man: Jane Campion's Appropriation of James's Portrait.” Henry James Review 18.2 (1997): 180-83. Spillius, Elizabeth Bott. “Freud and Klein on the Concept of Phantasy.” International Journal of Psychoanalysis (2001) 82: 361-73. Stam, Robert and Alessandra Raengo eds. Literature and Film. The Portrait of a Lady. Dir. Jane Campion. Perf. Nicole Kidman, John Malkovich, and Barbara Hershey. PolyGram, 1996.
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