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Woolf Study Bibliography
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Websites Reference and Bibliography

Questions in A Room of One’s Own http://www.library.csi.cuny.edu/dept/history/lavender/ownroom.html

Wikipedia on A Room of One’s Own. http://en.wikipedia.org/wiki/A_Room_of_One's_Own

SparkNotes on A Room of One’s Own. http://www.sparknotes.com/lit/roomofonesown/

Outline of A Room of One’s Own. (Recommended) http://www.uah.edu/woolf/roomout.html

 Primary Sources

維吉妮亞吳爾芙。《論小說與小說家》。瞿世鏡譯。台北:聯經,1990

---。《普通讀者》。(The Common Reader and the Second Common Reader)瞿世鏡譯。台北:聯經,2004

---。《自己的房間》。(A Room of One’s Own)。張秀亞譯。台北:天培,2000

---。《書與畫像》。(Books and Portraits)。阮江平、戚小倫譯。台北:遠流,2005

 

Atkins, Eileen. “Mrs. Dalloway: Screenplay.” Scenario (Paranoid Thriller Issue) 5.1 (1999): 1-96.

Cunningham, Michael. The Hours. New York: Picador, 2002.

Hare, David. The Hours: A Screenplay. New York: Faber and Faber; 2003.

Mrs. Dalloway. Dir. Marleen Gorris. Perf. Vanessa Redgrave, Natascha McElhone, and Rupert Graves. Fox Lorber, 1997.

Orlando. Dir. Sally Potter. Perf. Tilda Swinton, Charlotte Valandrey, and Billy Zane. Line, 1992.

Potter, Sally and Virginia Woolf. Orlando. New York: Faber and Faber, 1994.

--- “Introduction: Notes on the Adaptation of the Book Orlando.” Orlando. London: Faber and Faber, 1994. ix-xv.

The Hours. Dir. Stephen Daldry. Perf. Meryl Streep, Julianne Moore, Nicole Kidman, and Ed Harris. Miramax and Paramount, 2003.

Woolf, Virginia, et al. “An Introduction to Mrs. Dalloway.” Mrs. Dalloway’s Reader. Ed. Francine Prose. New York: Harcourt, 2003.

---, et al. “The Prime Minister.” Mrs. Dalloway’s Reader. Ed. Francine Prose. New York: Harcourt, 2003. 65-76.

---. “Freudian Fiction.” Contemporary Writers. London: The Hogarth P, 1965. 152-54.

---. Granite and Rainbow: Essays. London: Hogarth P, 1958.

---. “Modern Fiction.” Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore and London: The Johns Hopkins UP, 2000. 739-44.

---. “Mr. Bennett and Mrs. Brown.” Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore and London: The Johns Hopkins UP, 2000. 745-58.

---. “Phases of Fiction.” 1929. Collected Essays. Essay 4. 4 vols. New York: Harcout, Brace, and World, 1967. 56-102.

---. “The Cinema.” Vol. 4 of The Essays of Virginia Woolf. 1925-28. Ed. A. McNeillie. 4 vols. London: Hogarth P, 1994.

---. “The Movies and Reality.” New Republic XLVII 609 (1926): 308-10.

---. “Walter Sickert.” Collected Essays. Vol. 1. 2 vols. Trans. E. Coleman Baltimore: Vintage, 1959.

---. A Room of One’s Own. 1929. New York: Harcourt, 1991.

---. A Writer’s Diary. New York: Harcourt, 2003.

---. Between the Acts. 1941. London: Harvest Book, 1963.

---. Jacob’s Room. 1922. New York: Penguin, 1998.

---. Moments of Being. Ed. Jeanne Schulkind. New York: Harcourt, 1985.

---. Mrs. Dalloway. 1925. London: Harcourt, 1925.

---. Mrs. Dalloway’s Party: A Short Story Sequence. 1937. Ed. and Intro. Stella McNichol. New York: Harcourt, 2001.

---. Night and Day. 1919. New York: Penguin, 1996.

---. Orlando. 1928. New York: Penguin, 1946.

---. Roger Fry: A Biography. London: Harcourt, 1968.

---. The Common Reader. 1925. 2 vols. Ed. and Intro. Andrew McNeillie. New York: Vintage, 2003.

---. The Death of the Moth and Other Essays. New York: Harcourt, 1942.

---. The Diary of Virginia Woolf. Ed. Anne Olivier Bell and intro. Quentin Bell. 5 vols. New York: Harcourt, 1977-84.

---. The Letters of Virginia Woolf. 6 vols. Ed. Nigel Nicolson and Joanne Trautmann. New York: Harcourt, 1975-1980.

---. The Voyage Out. 1915. Intro. Michael Cunningham. New York: Modern Library, 2001.

---. The Waves. 1931. London: Harvest Books, 1950.

---. The Years. 1937. New York: Harvest Books, 1969.

---. Three Guineas. 1938. London: Harvest Books, 1963.

---. To the Lighthouse. 1927. London: Harvest Books, 1955.

---. Walter Sickert: A Conversation. London: Vantage, 1934.

Secondary Sources

奈吉爾尼克森(Nicolson, Nigel)。《找不到出口的靈魂:吳爾芙的美麗與哀愁》。(Virginia Woolf)。張秀亞譯。台北:天培,2000

吳慶宏。《吳爾芙》。(Virginia Woolf)。台北:生智,20002

 

Abel, Elizabeth. Virginia Woolf and the Fictions of Psychoanalysis. Chicago: Chicago UP, 1989.

Allan, Tuzyline Jita. Womanist and Feminist Aesthetics: A Comparative Review. Athens: Ohio UP, 1995.

Banfield, Ann. The Phantom Table: Woolf, Fry, Russell, and the Epistemology of Modernism. Cambridge: Cambridge UP, 2000.

Barrett, Eileen and Patricia Cramer, eds. Virginia Woolf: Lesbian Readings. New York and London: New York UP, 1997.

Bell, Quentin. Virginia Woolf: A Biography. New York: Harvest Books, 1974.

Bloom, Harold, ed. Virginia Woolf. New York: Chelsea, 1988.

Brabazon, Tara and Vanessa Evangelista. “Something Queer Is Going on Here.” Outskirts 1 May 1996. Outskirts Online Journal. Ed. Victoria Burrows. 28 February 2005http://www.chloe.uwa.edu.au/outskirts/archive/VOL1/Feature1.html.

Canning, Richard. Hear Me Out: Further Conversation with Gay Novelists. New York: Columbia UP, 2003.

Caughie, Pamela L ed. Virginia Woolf in the Age of Mechanical Reproduction. New York: Garland, 2000.

Caws, Mary Ann and Sarah Bird Wright. Bloomsbury and France: Art and Friends. Oxford: Oxford UP, 2000.

Chandler, Jan. “Mrs. Dalloway.” Independent Media Foundation. 1999. 18 December 2003 home.vicnet.net.au/~artsaliv/film_reviw/mrsdalloway.htm.

D’Aquila, Ulysses L. Bloomsbury and Modernism. New York: Peter Lang, 1989.

Dobson, Patricia. “Orlando,” Screen International 17 (April 1992): 20-33.

Dowling, David. Bloomsbury Aesthetics and the Novels of Forster and Woolf. London: MacMillan, 1985.

Enciso, Nuria. “Turning the Gaze Around and Orlando.” 30 July 2004http://collection.nlc-bnc.ca/100/202/300/mediatribe/mtribe95/movie#movie.

Eng, L. David. Racial Castration: Managing Masculinity in Asian America. London: Duke UP, 2001.

Fleishman, Avrom. Virginia Woolf: A Critical Reading. Baltimore: Vintage, 1975.

Florence, Penny. “A Conversation with Sally Potter.” Screen 34.3 (Autumn 1993): 275-84.

Gerzina, Gretchen. Carrington: A Life. New York: Norton, 1989.

Gillespie, Diane, The Sisters’s Arts: The Writing and Painting of Virginia Woolf and Vanessa Bell. London: Syracuse U P, 1988.

Giltz, Michael. “The Golden Hours.” Liberation Publications. 7 January 2004 www.findarticles.com/cf_dls/m1589/2003_March_18/99850228/print.jhtml.

Goldman, Jane. The Feminist Aesthetics of Virginia Woolf. New York: Cambridge, 2001.

Greene, Robert. “Pandosto.” Elizabethan Authors Home Page. Ed. Robert Brazil and Barboura Flues. 2003. 2 March 2005 http://www.elizabethanauthors.com/pandosto1.htm.

Hall, Radclyffe. The Well of Loneliness. 1928. New York: Anchor, 1990.

Henry, Holly. Virginia Woolf and the Discourse of Science: The Aesthetics of Astronomy. Cambridge: Cambridge UP, 2003.

Hermione, Lee. Virginia Woolf. New York: Knopf, 1997.

Hollinger, Karen. “Orlando’s Sister, or Sally Potter Does Virginia Woolf in a Voice of Her Own.” 24hourscholar. Summer 2001. 3 March 2005. 4 April 2005http://www.24hourscholar.com/p/articles/mi_m2342/is2352005.

Humm, Maggie. Modernist Women and Visual Cultures: Virginia Woolf, Vanessa Bell, Photography and Cinema. New Jersey: Rutgers UP, 2002.

Ingram, Malcolm. “Virginia Woolf’s Psychiatric History.” Malcolm Ingram’s Homepage. 3 February 2004. March 2005 http://ourworld.compuserve.com/homepages/malcolmi/vwframe.htm.

Jackson, Rosemary. Fantasy: The Literature of Subversion. London: Routledge, 1981.

Jensen, Emily. “Clarissa Dalloway’s Respectable Suicide.” Virginia Woolf: A Feminist Slant. Ed. Jane Marcus. Lincoln: U of Nebraska P, 1983. 162-79.

Jouve, Nicole and Ward Jouve. “Virginia Woolf and Psychoanalysis.” The Cambridge Companion to Virginia Woolf. Eds. Sue Roe and Susan Sellers. Cambridge: Cambridge UP, 2000. 245-72.

Lawrence, Karen. “Orlando’s Voyage Out.” Modern Fiction Studies 38.1 (Spring 1992): 253-77.

Lee, Hermione. Virginia Woolf. New York: Knopf, 1997.

Little, Judy. “The Politics of Holiday.” Orlando. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 223-230

MacDonald, Scott. “Interview with Sally Potter.” Camera Obscura 35 (May 1995): 187-220.

Marcus, Jane, ed. New Feminist Essays on Virginia Woolf. Lincoln: U of Nebraska P, 1981.

---, ed. Virginia Woolf and Bloomsbury: A Centenary Celebration. Bloomington: Indiana UP, 1987.

Marder, Herbert. The Measure of Life: Virginia Woolf’s Last Years. Ithaca: Cornell U P, 2000.

Mattson, Frances O. Virginia Woolf and Her Circle: Leonard Woolf, Clive Bell, Vita Sackville-West, Vanessa Bell, Lytton Strachey, E.M. Forster, Rupert Brooke. New York: New York Public Library, 1993.

Miller, J. Hillis. “Mrs. Dalloway: Repetition as the Raising of the Death.” Virginia Woolf. Ed. Harold Bloom. New York: Chelsea, 1986.169-90.

Minow-Pinkney, Makiko. Virginia Woolf and the Problem of the Subject: Feminine Writing in the Major Novels. Sussex: Harvester Wheatsheaf, 1987.

Morrow, A. F. “A Review of Mrs. Dalloway.” Books I Loved Com. 2003. 10 January 2004 http://booksiloved.com/24/Mrs_Mrs. Dalloway.html.

Phelan, Joseph and Colin Pearce. “Which Virginia Woolf?” The Claremont Institute. 14 February 2003. 5 May2004 www.claremont.org/writings/030214phelanpearce.html?FORMAT=print.

Phillips, Kathy J. Virginia Woolf against Empire. Knoxville: The U of Tennessee P, 1994. 

Prose, Francine, ed. “An Introduction to Mrs. Dalloway.” Mrs. Dalloway’s Reader. New York: Harcourt, 2003. 10-12.

Rosenbaum, S. P. Aspects of Bloomsbury: Studies in Modern English Literary and Intellectual History. London: MacMillan, 1998.

---. Edwardian Bloomsbury: The Early Literary History of the Bloomsbury Group. London: Macmillan, 1994.

---. Georgian Bloomsbury: The Early Literary History of the Bloomsbury Group. London: Palgrave Macmillan, 2004.

---. Victorian Bloomsbury: The Early Literary History of the Bloomsbury Group. New York: St. Martin’s P, 1987.

Sackville-West, Vita. Knole and the Sackvilles. 1922. London: Ernest Benn Limited, 1958.

 

Shelia, Johnston. “A Day in the Life.” Sight and Sound. 30 July 2004 http://www.bfi.org.uk/sightandsound/2003_02/feature01_hours.html.

Shone, Richard. The Art of Bloomsbury: Roger Fry, Vanessa Bell, and Duncan Grant. Princeton: Princeton UP, 1999.

Showalter, Elaine. A Literature of Their Own: British Women Novelists from Bronte to Lessing. Princeton: Princeton UP, 1977.

Silver, Brenda. Virginia Woolf Icon. Chicago: U of Chicago P, 1999.

Spalding, Frances. Vanessa Bell. New Haven: Ticknor and Fields, 1983.

Squier, Susan M. “Virginia Woolf’s London and the Feminist Revision of Modernism.” City Images: Perspectives from Literature, Philosophy, and Film. New York: Gordon and Breach, 1991. 99-119.

Stansky, Peter. On or about December 1910: Early Bloomsbury and Its Intimate World. Cambridge: Harvard UP, 1996.

Stone, Alan A. “Gorris’s Dalloway.” Northern California Society for Psychoanalytic Psychology. 1998. 13 February 2004www.fortda.org/fall_98/film2.html.

Tang, Shih-ming. “Virginia Woolf in Textuality: An Intertextual Study of Michael Cunningham’s The Hours.” MA thesis. Providence U, 2003.

Trautmann, Joanne. “Orlando and Vita Sackville-West.” Virginia Woolf. Ed. Thomas S.W. Lewis. New York: McGraw-Hill, 1973. 83-93.

Watkins, Susan. “Sex Change and Media Change: From Woolf’s to Potter’s Orlando.” Mosaic 31.3 (1998): 41-59.

Welldon, Estella V. Mother, Madonna, Whore. London: Free Association Books, 1988.

Wilson, J.J. “Why Is Orlando Difficult?” New Feminist Essays on Virginia Woolf. Ed. Jane Marcus. Lincoln: U of Nebraska P, 1981. 170-84.

Wilson, Jean Moorcroft. Virginia Woolf’s London: A Guide to Bloomsbury and Beyond. New York: Tauris Parke Paperbacks, 2000.

Young, Tory. Michael Cunningham’s The Hours: A Reader’s Guide. New York:  International Publishing Group, 2003.

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