| Section | Writer | Related Articles to be Read | Theory-Application Film |
1.1 | Cultural Studies | Walter Benjamin (p. 1163-66) | “The Work of Art in the Age of Mechanical Reproduction” (p. 1166-86) |
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1.2 | Cultural Studies | Roland Barthes (p. 1457-75) | l “The Death of the Author” (p. 1466-70) l “From Work to Text” (p. 1470-75) |
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1.3 | Cultural Studies | Laura Mulvey (p. 2179-81) | “Visual Pleasure and narrative cinema” (p. 2181-92) | l Theory application: Alfred Hitchcock’s Rear Window l Oral Report 1 (少文) |
2.1 | Feminist Theory | Simone de Beauvoir (p.1403-06)
| The Second Sex (p. 1406-14) | l Theory application: Patricia Rozema’s 1999 Mansfield Park l Oral Report 2(淑芬) |
2.2 | Feminist Theory | Judith Bulter (p. 2485-88) | Gender Trouble (p. 2488-2501) | l Theory application: Sally Potter’s Orlando l Oral Report 3(雅庭) |
2.3 | Feminist Theory | Sandra M. Gilbert and Susan Gubar (p. 2023-35) | “The Madwoman in the Attic” (p. 2023-35) |
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2.4 | Feminist Theory | Virginia Woolf (p. 1017-21) | A Room of One’s Own (p. 1021-29) | l Film: Woolf’s Biography l Theory application: Mrs. Dalloway l Oral Report 4(姿青) |
3.1 | Psychoanalysis | Sigmund Freud (p. 913-19) | Interpretation of Dream (p. 919-290) | Film-viewing: Freud’s Hysteria |
| Psychoanalysis | Sigmund Freud
| l “The Uncanny” (p. 929-52) l “Fetishism” (p. 952-56)
| l Theory application: The Age of Innocence l Oral Report 5(雅芳) |
3.2 | Psychoanalysis | Jacques Lacan (p. 1278-85) | l “The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience” (p. 1285-90) l “The Signification of the Phallus” (p. 1302-1310) ? | l Theory application: the hole and mirror image in 2046 l Oral report 6(筱崴) |
3.3 | Psychoanalysis | Julia Kristeva (p. 2165-69)
| l Revolution in Poetic Language (p. 2169-2179) l “Stab Mater” ? | l Theory application: The House of Mirth l Oral report 7(元翔) |
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