Bibliography

1. The Primary Source: Novel and Film

Novel

James, Henry. The Portrait of a Lady. Intro. Peter Washington. New York: Everyman’s Library, 1991.

James, Henry. The Portrait of a Lady. Intro. Regina Barreca. New York: Signet, 1996.

Wharton, Edith. The Age of Innocence. New York: Scribner’s, 1970.

Woolf, Virginia. Mrs. Dalloway. 1925. London: Harcourt, 1925.  

維吉尼亞．吾爾芙著。《戴洛維夫人》。史蘭亭譯。台北：高寶出版社，2007。

Film

Mrs. Dalloway. Dir. Marleen Gorris. Perf. Vanessa Redgrave, Natascha McElhone, and Rupert Graves. Fox Lorber, 1997.

The Portrait of a Lady. Dir. Jane Campion. Perf. Nicole Kidman, John Malkovich, and Barbara Hershey. PolyGram, 1996.

The Age of Innocence. Dir. Martin Scorsese. Perf. Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder. Cappa Company, 1993.

Script

Amini, Hossein. The Wings of the Dove: A Screenplay. London: Methuen, 1998.

Atkins Eileen. “Mrs. Dalloway: Screenplay.” Scenario (5.1): Paranoid Thriller Issue, 1999.

Jones, Laura. The Portrait of a Lady: The Screenplay Based on the Novel by Henry James. New York: Penguin, 1996.

Cocks and Martin Scorsese. The Age of Innocence: A Portrait of the Film Based on the Novel by Edith Wharton. New York: Newmarket Press, 1993. (or see  http://www.script-o-rama.com/movie_scripts/a/age-of-innocence-script-transcript.html＞

2 The Secondary Sources

Woolf and Mrs. Dalloway

Abel, Elizabeth. Virginia Woolf and the Fictions of Psychoanalysis. Chicago: Chicago UP, 1989.

Searls, Damion. "The Timing of Mrs. Dalloway." Women's Studies 28 (1999): 357-62. (Electronic Journal)*

維吉妮亞•吳爾芙。＜論現代小說＞《論小說與小說家》。瞿世鏡譯。台北：聯經，1990。3-15。

---。《普通讀者》。（The Common Reader and the Second Common Reader）瞿世鏡譯。台北：聯經，2004。

---。《自己的房間》。（A Room of One’s Own）。張秀亞譯。台北：天培，2000。

---。《書與畫像》。（Books and Portraits）。阮江平、戚小倫譯。台北：遠流，2005。

奈吉爾•尼克森（Nicolson, Nigel）。《找不到出口的靈魂：吳爾芙的美麗與哀愁》。（Virginia Woolf）。張秀亞譯。台北：天培，2000。

吳慶宏。《吳爾芙》。（Virginia Woolf）。台北：生智，20002。

The Portrait of a Lady

Anesko, Michael. “The Consciousness on the Cutting Room Floor: Jane Campion’s The Portrait of a Lady.” Henry James on Stage and Screen. Ed. John R. Bradley. New York: Palgrave, 2000. 177-89.

Bentley, Nancy. “Conscious Observation: Jane Campion’s Portrait of a Lady.” Henry James Goes to the Movies. Ed. Susan M. Griffin. Kentucky: The UP of Kentucky, 2002. 127-146.

Claridge, Laura and Elizabeth Langland ed. “Henry James and the Uses of the Feminine.” Out of Bounds: Male Writers and Gender(ed) Criticism. Amherst: The U of Massachusetts P, 1990. 219-251.

Kramer, Lawrence. “Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion’s The Portrait of a Lady.” Critical Inquiry 29.1 (2002): 25-52.

Lodge, David. Consciousness and the Novel. “Henry James and the Movies.” London: Secker & Warburg, 2002. 200-233.

Mexman, Virginia Wright ed. Jane Campion Interview. Mississippi: UP of Mississippi, 1999.

The Age of Innocence

Bell, Millicent. Edith Wharton and Henry James: The Story of Their Friendship. New York: Braziller, 1967.

Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven: Yale UP, 1975.

Castellitto. George P. “Imagism and Martin Scorsese: Images Suspended in Time Extended.” Literature Film Quarterly 26.1 (1998): 23-29.

Christe, Ian. “The Scorsese Interview.” Sight and Sound 42.2 (Feb. 1994): 10-15.

Horne, Philip. “The Age of Innocence: Scorsese, Wharton and James.” Film Studies: An International Review 3 (2002): 5-17.

Hutchinson, Stuart ed. Edith Wharton: The House of Mirth, The Custom of the Country, The Age of Innocence. New York: Palgrave Macmillan, 1998.

Joslin, Katherine and Alan Price. Wretched Exotic: Essays on Edith Wharton in Europe. New York: Peter Lang, 1996.

Lee, Robert A. “Watching Manners: Martin Scorsese's The Age of Innocence, Edith Wharton's The Age of Innnocence.” The Classic Novel: From Page to Screen. Ed. Giddings Robert Sheen Erica. Manchester, England--New York, NY: Manchester UP--St. Martin's, 2000. 163-78.

Levine, Jessica. Delicate Pursuit : Discretion in Henry James and Edith Wharton. Studies in Major Literary Authors ; V. 13. New York: Routledge, 2002.

Murphy, Kathleen. “Artist of the Beautiful.” Film Comment 29.6 (Nov.-Dec. 1993): 11-15.

Nicholls, Mark. "Male Melancholia and Martin Scorsese's The Age of Innocence." Film Quarterly 58.1 (2004): 25-35.

Olin-Ammentorp, Julie. “Wharton through a Kristevan Lens: The Maternality of The Gods Arrive.” Wretched Exotic: Essays on Edith Wharton in Europe. Eds. Katherine Joslin and Alan Price. New York. Peter Lang, 1993. 295-312.

Orlando, Emily J. Eidth Wharton and the Visual Arts. Tuscaloosa: The University of Alabama Press, 2007.

Skaggs, Carmen Trammell. “Looking through the Opera Glasses: Performance and Artifice in The Age of Innocence." Mosaic: A Journal for the Interdisciplinary Study of Literature 37.1 (2004): 49-61.

Stern, Lesley. The Scorsese Connection. Bloomington and Indianapolis: Indiana UP, 1995.

Tebbetts, Terrell. “Conformity, Desire, and the Critical Self in Wharton's The Age of Innocence.” Philological Review 30.1 (2004): 25-38.

Villasur, Belâen Vidal. “Classic Adaptations, Modern Reinventions: Reading the Image in the Contemporary Literary Film.” Screen 43.1 (2002): 5-18.

Wagner-Martin, Linda. The age of innocence: A Novel of ironic nostalgia. New York: Twayne Publishers, c1996.

Waid, Candace ed. The Age of Innocence. New York: Norton, 2003.

3 Novel Theory

Booth, Wayne C. “The Price of Impersonal Narration II: Henry James and the Unreliable Narrator.” The Rhetoric of Fiction. 339-374. (The Turn of the Screw)

Brink, André. “Introduction: Languages of the Novel.” The Novel: Language and Narrative from Cervantes to Calvino. 1-20.

Byatt, A. S. Portraits in Fiction. London: Vintage, 2002. 

Carpenter, Scott. Acts of Fiction: Resistance and Resolution from Sade to Baudelaire. Pennsylvania: The Pennsylvania State UP, 1996.

Chatman, Seymour. “Introduction.” Story and Discourse: Narrative Structure in Fiction and Film. London: Cornell UP, 1980. 1-42.

Cohn, Dorrit. “5 From Narration to Monologue.” Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. New Jersey: Princeton UP, 1978. 173-216.

Forster, E. M. “Pattern and Rhythm.” Aspects of the Novel. Ed. Oliver Stallybrass. New York: Penguin, 1974. 134-150.

Forster, E. M. “People (Continued).” Aspects of the Novel. Ed. Oliver Stallybrass. New York: Penguin, 1974. 71-84.

Forster, E. M. “Plot.” Aspects of the Novel. Ed. Oliver Stallybrass. New York: Penguin, 1974. 85-100.

Lodge, David. “The Modern, the Contemporary, and the Importance of Being Amis.” Language of Fiction: Essays in Criticism and Verbal Analysis of the English Novel. London: Routledge, 2002. 259-85.

Watt, Ian. “Myth and Individualism.” Myths of Modern Individualism: Faust, Don Quixote, Don Juan, Robinson Crusoe. Cambridge: Cambridge UP, 1997. 228-242.

Wharton, Edith. “Character and Situation in the Novel.” The Writing of Fiction. New York: Touchstone, 1997. 89-103.

Wharton, Edith. “Constructing a Novel.” The Writing of Fiction. New York: Touchstone, 1997. 47-86.

Woolf, Virginia. “Modern Fiction.” Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore and London: The Johns Hopkins UP, 2000. 739-44.

Woolf, Virginia. “The Modern Fiction.” The Common Reader. Vol.1. 1925. 2 vols. Ed. and Intro. Andrew McNeillie.London: Vintage, 2002. 146-54.

Woolf, Virginia. “Women and Fiction.” Ed. Michéle Barrett. New York: Harcourt Brace & Company, 1979. 43-54.

王安憶。＜第一堂課小說是什麼＞。《小說家的十三堂課》。台北：INK印刻出版有限公司，2006。5-20。

史鐵生著。《寫作的事》。上海：東方出版中心，2006。

江曾培著。＜12寫出風格來＞。《微型小說的特性與技巧》。台北：木馬文化，2006。62-67。83-89

艾柯著。《悠遊小說林》。俞冰夏譯。北京：三聯出版社，2005。

艾柯著。＜1入林＞《悠遊小說林》。黃寤蘭譯。台北：時報出版社，2000。1-39。

艾柯著。＜6虛構條文＞《悠遊小說林》。黃寤蘭譯。台北：時報出版社，2000。159-197-39。

佛斯特著。《小說面面觀》。台北：志文，1991。

余秋雨。＜第三章：形式的凝鑄＞。《藝術創造工程》。台北：允晨出版社，1990。190-293。

金健人著。＜第二章空間＞《小說結構美學》。台北：木鐸出版社，1988。51-90。

金健人著。＜第五章敘事方式＞《小說結構美學》。台北：木鐸出版社，1988。189-252。

洛吉著（David Lodge）。＜9意識流＞。《小說的五十堂課》（The Art of Fiction）。李維拉譯。台北：木馬文化，2006。62-67。

張素真著。＜現代小說敘述觀點的運用＞。《細讀現代小說》。台北：東大出版社，1986。25-48。

瑪格莉特．杜拉斯著（Marguerite Duras）。《寫作》（Écrire）。桂裕芳譯。上海：上海藝文出版社，2005。